Quotes by John Williams

About John Williams:

John Towner Williams is an American composer, conductor, and pianist. He is widely considered one of the greatest film composers of all time. In a career spanning over six decades, Williams has composed some of the most popular and recognizable film scores in cinematic history, including the Star Wars series, the first two Jaws films, E.T. the Extra-Terrestrial, the Indiana Jones series, Close Encounters of the Third Kind, Superman, the first two Home Alone films, Hook, the first two Jurassic Park films, Schindler's List, Saving Private Ryan, the first three Harry Potter films, Catch Me If You Can, Memoirs of a Geisha, War Horse, and Lincoln. He has had a long association with director Steven Spielberg, composing the music for all of Spielberg's feature films but The Color Purple and Bridge of Spies.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

It came to him that he had turned away from the buffalo not because of a womanish nausea at blood and stench and spilling gut; it came to him that he had sickened and turned away because of his shock at seeing the buffalo, a few moments before proud ...

John Williams

Young people," McDonald said contemptuously. "You always think there's something to find out." "Yes, sir," Andrews said. "Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier l...

John Williams

Mankind in the aggregate I have found to be brutish, ignorant and unkind, whether those qualities were covered by the coarse tunic of the peasant of the white and purple toga of a senator. And yet in the weakest of men, in moments when they are alone...

John Williams

It seems to me that the moralist is the most useless and contemptible of creatures. He is useless in that he would expend his energies upon making judgments rather than upon gaining knowledge, for the reason that judgment is easy and knowledge is dif...

John Williams

What you seem so unwilling to accept, even now, is this: that the ideals which supported the old Republic had no correspondence to the fact of the old Republic; that the glorious word concealed the deed of horror; that the appearance of tradition and...

John Williams

No seu quadragésimo terceiro ano de vida, William Stoner aprendeu o que outros, muito mais jovens do que ele, tinham aprendido antes de si: que a pessoa que amamos no início não é a mesma pessoa que amamos no fim, e que o amor não é uma meta e ...

John Williams

De repente, foi como se ela estivesse na sala ao lado e ele tivesse acabado de sair de junto dela. Sentiu um formigueiro nas mãos, como se lhe tivesse tocado. E a sensação de perda, que durante tanto tempo contivera dentro do si, jorrou em torrent...

John Williams

Na sua mocidade, Stoner imaginara o amor como um estado absoluto do ser ao qual uma pessoa, se tivesse sorte, podia aceder um dia; na idade adulta, decidira que era o paraíso de uma falsa religião, que uma pessoa devia encarar com uma divertida inc...

John Williams

Sometimes Edith came into the room and sat on the bed beside him and they talked. They talked of trivial things – of people they knew casually, of a new building going up on the campus, of an old one torn down; but what they said did not seem to ma...

John Williams

...Mrs. Bostwick's face was heavy and lethargic, without any strength or delicacy, and it bore the deep marks of what must have been a habitual dissatisfaction.

John Williams

But William Stoner knew of the world in a way that few of his younger colleagues could understand. Deep in him, beneath his memory, was the knowledge of hardship and hunger and endurance and pain.

John Williams

A kind of joy came upon him, as if borne in on a summer breeze. He dimly recalled that he had been thinking of failure-as if it mattered. It seemed to him now that such thoughts were mean, unworthy of what his life had been.

John Williams

Within a month he knew that his marriage was a failure; within a year he stopped hoping that it would improve.

John Williams

It had not occurred to him how he must appear to an outsider, to the world. For a moment he saw himself as he must thus appear; and what Edith said was part of what he saw. He had a glimpse of a figure that flitted through smoking-room anecdotes, and...

John Williams

A kind of joy came upon him, as if borne in on a summer breeze. He dimly recalled that he had been thinking of failure--as if it mattered. It seemed to him now that such thoughts were mean, unworthy of what his life had been. Dim presences gathered a...

John Williams

But before [William Stoner] the future lay bright and certain and unchanging. He saw it, not as a flux of event and change and potentiality, but as a territory ahead that awaited his exploration. He saw it as the great University library, to which ne...

John Williams

But the required survey of English literature troubled and disquieted him in a way nothing had ever done before.

John Williams

The past gathered out of the darkness where it stayed, and the dead raised themselves to live before him; and the past and the dead flowed into the present among the alive, so that he had for an intense instant a vision of denseness into which he was...

John Williams

Edith’s clothes were flung in disarray on the floor beside the bed, the covers of which had been thrown back carelessly; she lay naked and glistening under the light on the white unwrinkled sheet. Her body was lax and wanton in its naked sprawl, an...

John Williams

Stoner and Masters smiled at each other, and they spoke no more of the question that evening. But for years afterward, at odd moments, Stoner remembered what Masters had said; and though it brought him no vision of the University to which he had comm...

John Williams

Author Bio

  • NameJohn Williams
  • DescriptionAmerican composer, conductor and pianist
  • AliasesJohn Towner Williams; Johnny Williams
  • BornFebruary 8, 1932
  • CountryUnited States Of America
  • ProfessionConductor; Composer; Pianist
  • WorksStar Wars Episode IV: A New Hope; Indiana Jones Adventure: Temple Of The Forbidden Eye; Munich
  • AwardsGuggenheim Fellowship; Academy Award For Best Original Score; National Medal Of Arts; Grammy Award For Best Instrumental Composition