Harold Crick: You keep your files like this? Ana Pascal: No, actually I'm quite fastidious. I put them in this box just to screw with you.
Ana Pascal: Mr. Crick, it was a really awful day. I know, I made sure of it. So pick up the cookie, dip it in the milk, and eat it.
Harold Crick: [to Ana] This may sound like gibberish to you, but I think I'm in a tradgedy.
Professor Jules Hilbert: [walking to pool] Some plots are moved forward by external events and crises. Others are moved forward by the characters themselves. If I go through that door, the plot continues. The story of me through the door. If I stay h...
Harold Crick: You have to understand that this isn't a philosophy or a literary theory or a story to me. It's my life. Professor Jules Hilbert: Absolutely. So just go make it the one you've always wanted.
Kay Eiffel: [narrating] It wasn't just about finding a guitar. It was about finding a guitar that said something about Harold. Unfortunately, this guitar said: "When I get back to Georgia, that woman gonna feel my pain." This one said something along...
Penny Escher: Man in tweed? Kay Eiffel: There's nothing wrong with him, he just likes looking at sick people. Penny Escher: Oddly spoken with disdain.
Kay Eiffel: Excuse me, where are the dying people? Most of these people are sick or injured - Which is great, don't get me wrong. But they're gonna get better, which doesn't really help me. Is there any way to see the people who aren't going to get b...