By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
I have the libido of a 15-year-old boy. My sex drive is so high. I'd rather have sex with Brian all the time than leave the house. He doesn't mind.
Boys in their twenties are a waste of time. They have nothing to offer conversationally; they're immature. I feel like I have a better shot with someone in his thirties.
Zac Efron is my obsession, we're the same person. We're not actually here, it's like Janet and Michael Jackson. He just puts on his wig and a dress, and it's me, and you don't know that. It's one of the greatest mysteries of all time.
Every time someone uses a bathroom and they flush, all the bacteria is shot into the air.
When you're doing a film, you're on a set and you have retakes and you have time to get it right. And on 'SNL' it's just go, go, go. If you can't read the cue cards or miss your mark, you're just left to sort of screw up. So there's a lot more pressu...
I don't know what's going to happen. I'm flavor of the month at the moment, but somebody else is going to roll around the corner in three months' time. I just want to keep working. I can't stop!
My thing is, I want to play basketball, I would enjoy playing in the D-League, but at the same time I don't want to take an opportunity away from a young guy to get exposure. I'm still thinking about it.
I have moments all the time when I play.
My usual day is I get up around 11 o'clock and do yoga and then eat afterwards. Then I have sound check and play soccer and do running with the guys in the band after sound check, and then do the show and eat dinner after the show and usually get to ...
It really is a strange time we're living in, when saying 'Don't kill people' is considered a radical point of view.
By the time I entered high school, I had forsaken academics altogether in favor of my burgeoning acting career.
If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.
I gave away two dogs years ago because I felt guilty at not being able to give them the time and attention they deserved. I now regularly feed an army of squirrels and wild birds around our house.
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.
Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.
I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
When I came for the first time to the United States, visiting, I was absolutely fascinated by New York.
I get really tired of getting painted up all the time. Basically, I'm a bum.
