I'll probably be still playing a school girl when I'm 60.
People were making fun of redheads before I came along.
The first 'Charlemagne' album is metal, of course, but what I sang was more symphonic.
I'm a catalogue artist: I compete with Bob Dylan.
I wouldn't record any song that I didn't like.
My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.
Bolivia is not yet a country of equals.
A baseball team is like a band. Because, conceptually, there are no heroes in baseball - there's just the team.
I just write songs whenever I feel like it, whenever they come to me.
I have no nationality, no country.
A big problem for me was opening for Limp Bizkit and Linkin Park, two bands that wouldn't exist if it weren't for me, straight up!
Old Korn records had so much intensity.
My songs are self-explanatory... somebody pointed out to me that... my songs pretty much speak for themselves.
In 1994, I started touring again and I recorded two albums for Chesky Jazz.
Composing demands a degree of isolation.
I played trombone for 10 minutes, and then I was in an accordion band in school for even less.
To see and listen to the wicked is already the beginning of wickedness.
Paint goes a long way in making old look like new.
Talent can be developed, gift is God-given. But artists have both.
I was playing catch with the European audience.
I write alternative, folkie pop. It's very acoustic.
