The whole process of making movies and writing screenplays is visceral and intuitive.
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
Scaring someone's the hardest thing to do, and that's why most of these scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
'Transformers' was important and defining for me because it taught me about what kinds of movies I want to make and the kind of actor I want to be, and I have a long way to go before I become that actor.
For six months I'd do movies and make it all about me. Then the other six months, it's not about me and it doesn't matter what my hair looks like or what anything looks like.
I'm one of those weird people that tends to not do the extras and listen to the commentaries and stuff on movies, although I do think they are fascinating and interesting - I'm just so worried that years later I wouldn't remember anything!
After I do a big movie I get offered big movies. But I always do the weirdest indie.
It's too bad that there aren't as many light comedies around in the movies as there were when I was making pictures like 'The Bachelor and the Bobby-Soxer.' The boys are just not writing them. Many writers are more serious now than they used to be, a...
I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor.
I don't see all the movies that come out.
I remember my first taste of American big movies was 'Ghost Rider.' I'm in two little scenes. But for those two little scenes they had 400 extras, upside-down stunt cars, and a fire brigade.
When I can't sleep, I'll start thinking about how many shows I've done, count up the number of television shows and movies.
I like movies that make you think.
I've been told I've done a lot of flop movies. And I think, 'Wow, I've never considered them flops!' I've loved every character I played.
Sean's movies are provocative and challenging without being slick.
I remember there was a turning point. I think it came right after 'Forrest Gump' when I turned down the cover of 'Vanity Fair.' That was blasphemy. You just don't do that. And I remember after that not getting a couple of movies that I really wanted ...
I always tell other young actors to go to school, or at least watch movies to learn as much as you can.
What you have with the Bond movies is this character gliding over everything. The fact nothing touches him is why we all want to be him. But it also makes him a sort of superman who in the end you don't really relate to.
I like movies where you can come back and re-watch them and admire the cinematography 25 years later.
I'm just about the movies; I enjoy the dexterity of actors in action movies and the choreography side of things. You've just got to be a different person to be a professional fighter. I train with professional fighters, so I know what it takes. It's ...
I get inspired when I look at Tom Lennon, who did 'Reno 911!' for six seasons while writing huge movies and directing and also doing other pilots; he did that FX pilot, the 'Star Trek' thing.
