I think it would be fun to write about movies again.
There's no question that Whale's movies are classics. They were wonderful, and successful.
Actually, I loved Chucky. It's one of the strangest movies I've ever seen.
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I'...
I just want different parts; I wanna be that guy who people mention and they don't know who you're talking about until you say a few movies they've been in and then people are amazed that it's the same person.
I don't go see big, silly movies. I like small things about regular folks, you know?
I like flawed characters very much. A lot of times I get asked to do parts that are kind of small but key - three-scene roles that are three kick-ass scenes. Growing up, watching as many movies as I did, I was always into character actors like that.
Fame is one of the potential hazards of this job, but I really just want to make movies. I want to be respected, sure. Who doesn't? But famous-famous? I just don't care about it. And if you genuinely don't give a damn about that stuff, you really are...
In a sense I feel very much a part of the cinema now in a way where when I come back to the theater now I feel like a visitor. The cinema is really what I enjoy. I want to do more independent movies.
Being in quite a few movies... there's always things that are changing about a film.
I don't take the movies seriously, and anyone who does is in for a headache.
You learn more discipline in the theatre than you do in movies or TV. You're on stage every night and you have to sustain your energy level tor several hours.
I have a 13-year-old daughter who rents these bloody horror movies, and I can't even walk into the room when she's watching them with her friends.
If you're sixty-something, pushing 70, the chances of you getting a tremendously fascinating part in the movies are very low, as to be almost negligible, or even in television. But in the theatre, there are still things to do, very interesting, very ...
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise ther...
I think my sensibility is very literary; all my books were built as books, and I wasn't thinking about them being movies.
Clint Eastwood. Here's a guy who's been involved in so many movies, lots of them masterpieces, and now he's a director. I just like everything I know about him. He's very decisive, he makes up his mind real quick.
I know people watch our movies and they'll see a lot of images - they call it gross-out - that they don't like, and I understand that. It's an important movie and one that's extremely well done, but the amount of violent imagery was not for me.
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
I had grown up loving movies and had always wanted to write them.
