You go to Miami, and you might only hear one Tyga song on the radio. You go to L.A., and you might hear six or seven on the radio. There's certain things you do for your city.
Girls always want a reason to get crazy. I get the feeling that girls are crazy anyway, so they just want a reason to really get wild. Why not let it be to a Tyga song?
I have a lot of tattoos. I probably have over 100 tattoos. I don't know. It's just a mural... a collage.
Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the ...
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end.
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.
The things I want to make into a film, they're personal, esoteric things, and I don't expect anyone else to like them as much as I do. I generally like my films more than anybody else will.
Oh yes, I've been approached to do all sorts of nonsense. How about a remake of 'West Side Story?'
Chicago always hit me as such a gloomy place - I just remember all the snow getting dirty as soon as it would fall, all the decaying brown brick buildings around where we lived, all this soot all over the place.
The films I want to make, I really want to be passionate about.
Saying that all documentaries are the same is like saying all foreign films are the same.
If I start paying attention to the mechanics of a film while watching it, then it's generally a bad film.
Certain types of films will never test well. My films never seem to test well.
I think the other misconceptions when the film came out, he was very upset that it was so widely released and so widely seen. And neither one of us - well, I think I had hopes it would be, 'cause I really did think it was something special.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
One of the reasons I did 'Louie Bluie' and 'Crumb' with Criterion was because I like a lot of their older French films. That's the only reason. I watch these films by Jacques Becker and Jean-Pierre Melville. 'Touchez Pas Au Grisbi,' stuff like that. ...
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you'r...
When I went around promoting 'Crumb,' there would be days I'd wake up in, like, Houston or Cleveland, and I'd step outside the hotel and get no idea where I was. It all looks the same: one big corporate, consumer theme park. It's all, 'Here's the Sta...
To idolise a person means you don't get to know them, and the idea that you can become one is a myth, and it also means that you don't need to talk to one another because you're the same person.
The English reputation for humour is a way by which people avoid revealing themselves and have superficial relationships, so that you can engage in banter without making yourself vulnerable.
The French have made conversation their claim to civilisation.
