There's not much to do in Atlanta, so the cast went to the gym together, went shopping together, and dinner was always a group thing. It's that whole summer-camp experience that making movies tends to be anyway.
My experience in Amsterdam is that cyclists ride where the hell they like and aim in a state of rage at all pedestrians while ringing their bell loudly, the concept of avoiding people being foreign to them.
I'm not a huge fan of 3-D, though. Honestly, I think that movies are an immersive experience and an audience experience. There's nothing like seeing a film with 500 people in a theater. And there's something about putting on 3-D glasses that makes it...
Well, it's so cheesy to say but you can't find a comedy director who makes movies for critics. When a movie does $580 million worldwide, I'm not saying that proves anything except people were enjoying the experience.
My mythic version of America is very much about parents and children, and in my experience, the suburban setting is where that particular drama plays out. Which isn't to say that there aren't parents and children in cities or on farms. I just don't k...
I grew up as a kind of nondenominational Christian. I have two uncles who are Baptist ministers. I went to a Samoan church when I was younger. I went to a Catholic school, so I was actually able to experience a lot of different religions. Mormonism, ...
It is important that we are coming up on the millennium because what I am experiencing, just being one person out of billions, is the feeling of acceleration. I experience this through my contact with other people.
A film should be an experience. You should feel something. It should motivate you to feel something.
You've got to have a young element in a show. Any project needs youth and dynamism as well old codgerdom and experience.
I wouldn't say I'm a method actor. I do research when I feel I don't have enough experience for the part I'm playing.
The Nazz survived for 18 months - that was my first taste of fame on some level and of the overall experience of being in a band. There are good and bad aspects, and I got to taste some of both, and, well, it's not as much fun as what you see in 'A H...
I feel like the experience I gained at university has really helped to inform me as far as who I wanted to become as an actor and what I wanted to do.
Beliefs have the power to create and the power to destroy. Human beings have the awesome ability to take any experience of their lives and create a meaning that disempowers them or one that can literally save their lives.
Because of my unique experience as my mom's child, the beginning of my journey was more about me trying to figure out who I was on my own. My mom is one of the greatest moms and so supportive of all my siblings and of all of us being who we are, and ...
I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.
My experience with record labels throughout my career has generally fallen into wishing I could do things that they're not built to do, whether it be arguing about having a nicer package - because I do believe some people care about that - to trying ...
When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
I never give advice unless someone asks me for it. One thing I've learned, and possibly the only advice I have to give, is to not be that person giving out unsolicited advice based on your own personal experience.
It was a good experience working with Roger Vadim and Jane Fonda.
In my experience, nice guys are boring, and bad guys are fun to play.
