My vision is the ability to design clothes for a man who wants to create his own style and doesn't want to dress like he's in uniform, to look like the guy in the ad, or to feel like he has to put it together that way.
A part of my kind of design and inspiration ethos is that I carry around a leather notebook and I sketch in it, doodle in it, write notes in it, and I put pictures in it.
Magazines that depend on photography, and design, and long reads, and quality stuff, are going to do just fine despite the Internet and cable news.
I came from product design originally - I had been designing dolls for a toy company since I was 16 - so I'm used to working with plastic and different things. I had an innate interest in objects.
Brizo has been my single biggest sponsor since I began as a designer. Brizo wanted to be involved in many different areas of design - they had already worked with several architects, and fashion was an area they were interested in moving into.
I was a directing student and a production design student at Carnegie Mellon. I went in as a production design student and became a directing student.
I always wanted to design for films.
For me, unemployment and poverty in the Greater Montreal area is not mainly a problem of structure, or design, or statistics. It is a profoundly human situation.
How can you look at the Texas legislature and still believe in intelligent design?
I won't give up my day job of design.
I definitely want to design clothes at one point.
The Final Jeopardy! questions seem to be, by design, things you can't know. And so it's not about who knows them, but who can figure them out in thirty seconds.
Species go extinct because there are historical contraints built into a given body or a given design.
Organisms by their design are not made to adapt too far.
To be able to design for the plus-sized consumer, for me, that's just beyond. It's a dream.
I really see myself continuing to design clothes, fragrances.
What I've learned from different designers is that it's key to be true to who you are and your vision. That's always been my line of thinking. Working through the whole design process, I don't want to create something I wouldn't be proud to wear.
The scientific argument advanced for intelligent design at the Dover trial, those arguments collapsed, scientifically and intellectually.
The new strategy is to teach intelligent design without calling it intelligent design.
'Intelligent Design,' the relabeled, repackaged form of American creationism, has always had a problem. It just can't seem to produce any evidence.
People interact with their phones very differently than they do with their PCs, and I think that when you design from the ground up with mobile in mind, you create a very different product than going the other way.