I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.
Fitzgerald coined the phrase the 'Jazz Age,' and now we're living in the Hip-Hop Age.
At a very young age I was allowed to go into the cinema and watch adult films.
People gossip. People are insecure, so they talk about other people so that they won't be talked about. They point out flaws in other people to make them feel good about themselves. I think at any age or any social class, that's present.
Each day, I choose my age.
There was a point where there was a vision that we'll get to a certain age, and then we'll retire and be happy. Now that's like, that's being compromised every day. So I think we have to start living happy now and stop waiting for the forty years bec...
My first book, 'The Age of Wire and String,' came out in 1995, and it was hardly reviewed at all.
I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
After thirty, a body has a mind of its own.
Anyway, in the mid 80's I was spending a fortune buying old Golden Age books from the late 30's and 40's and I was making personal appearances at a lot of sci fi and comic book conventions all around the country here so that I could find books for my...
From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.
I've invented several games for use as teaching tools in my classroom: one of them, a game called 'Iron Age: Council of the Clans,' got so popular among my students that they encouraged me to publish it, which I did.
We put limitations on the way that we think about things, on ourselves, think about all the boxes we live in, male or female, you're this age, that age, this is your job, this is not your job, everything is about getting boxed in.
I came to California and got signed at a young age. And it's not like you see in the movies, where you start rubbing shoulders with Timbaland and Pharrell, and you become a giant pop star.
I don't think too much about age. Maybe if you're hurting, aching and arthritic, then you think about it a lot. But I don't.
What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a ...
I didn't have a normal background - I was completely demented from a very early age!
When I was younger, I did what I now call 'extreme singing.' I could do this thing where I would sing really high. I can't really do that anymore, at my age. My voice has shifted. It's changed.
I learned at that young age that sometimes a really big chance pays off.
I was very curious about the world even at a young age, and I don't know at what point I became aware that other cultures believed in different religions, and my question was, 'Well, why don't they get to go to Heaven then?'
Admiration of the proletariat, like that of dams, power stations, and aeroplanes, is part of the ideology of the machine age.
