I'm all for guys being butch and guys being men. I identify with that and appreciate that. But if I'm going to stab my gay brother in the back who isn't butch and who maybe acts a little bit more effeminate, what good is that?
The myth of Good Guys and Bad Guys is one of the most pervasive we own, and morally grey anti-heroes are simply one of modern fiction's attempts to shake off that mythology and replace it with something a bit more honest.
I always said that if I could just find a guy who could chop wood and had a nice smile, it wouldn't bother me if he was a thug or an aristocrat, as long as he was a good guy. And I've ended up with an educated thug.
Part of the plot was a knock that V wanted to bring down the government and bring chaos. I don't know why I thought of Guy Fawkes, because it was during the summer. I thought that would be great if he looked like Guy Fawkes, kind of theatrical.
Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.
It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
There's something about the good-hearted guy fighting the system. I just love that. That's how 'Speed' is. He's a really focused guy with a heart of gold and the corporations are trying to crush him and use him for his skills to make them more money.
I play a character in the WWE and everybody hates my character. I'm the evil villain bad guy. Whenever people meet me, they're like, 'Wow, you're such a nice guy. We never expected that.'
I'm the guy who gets uncomfortable. That's why I was able to write 'The 40-Year-Old Virgin' and 'Knocked Up.' I believe in those guys.
Most of the bad guys in the real world don't know that they are bad guys. You don't get a flashing warning sign that you're about to damn yourself. It sneaks up on you when you aren't looking.
To survive in a lot of male-dominated situations - the police, the military, what have you - you put on a bit of the crass, blowhard thing, because you just can't survive being the nice guy in those environments.
You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie.
The bad guys are the fun guys. The only people I have trouble with are the so-called normal types. Their language isn't very colorful, and they don't talk with any certain sound.
When I'm on television, I think that I appeal to the everyday guy, 'cause that's who I am. The guys who go to the football games on the weekends are my viewers, for sure.
You need a wisecracking buddy standing next to you? That's the role for me. You got the guys who are knock-down, drag-out handsome. That's what people want to see. Let that guy be the hero. But there's always a role for the Everyman.
That guy in a twenty-five cent bleacher seat is as much entitled to know a call as the guy in the boxes. He can see my arm signal even if he can't hear my voice.
But there's a little guy who sits astride my brain with a whip, and if I'm away from the machine for more than a couple of hours during the day, this little guy's lashing away.
However, we couldn't focus on the films much during the series because we're dumb. Individually we're smart guys, but together we're one big dumb guy, and couldn't concentrate on two things at once.
The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.
To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
Having dealt with a lot of real firefighters, I know there are a lot of guys who, for lack of a better term, become addicted to the grief because it has kept them connected to these guys that they felt responsible for having lost.
