There are simply more young people than there ever were. You get this feeling of strength. Also, large numbers can be a drawback, making it difficult to lose one's anonymity.
Young people need the hands-on training that comes with a summer job. They need to know how to dress for success and nail job interviews. But most of all, they need mentorship, guidance, and inspiration.
There are moments when television systems are young and haven't formed properly, and there's room for lots of original stuff. Then things become more and more top-heavy with executives who are trying to guarantee the success of things.
If we want technology to serve society rather than enslave it, we have to build systems accessible to all people - be they male or female, young, old, disabled, computer wizards or technophobes.
To me, the tragedy about this whole image-obsessed society is that young girls get so caught up in just achieving that they forget to realize that they have so much more to offer the world.
There is so much potential out there in young people and they aren't getting the right information or being encouraged in the right ways. This is our duty as a society.
The idea of a youth-based society that you live in for a certain time and then you no longer live anymore is an interesting idea for a movie, but you need young people that people want to go see.
In our society, as people pass out of young adulthood, they tend to relate to themselves more in terms of what they are no longer than what they are now, and that's psychologically low-grade devastating.
My first acting job happened by accident when I was really young. I was in fifth grade and my teacher saw an ad in the paper and took me to the audition after school and I got the part.
Technology makes everyone feel old. A laptop is old after two years. Someone always has something newer. Everyone seems to feel obsolete now, even the young.
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love, Not War. We were idealistic innocents, despite the drugs and sex.
I can tell you that from the director's chair, young actors love to be challenged, to be given killer lines that take time to wrap their mind around.
There's something depressing about a young couple helplessly in love. Their state is so perfect, it must be doomed. They project such qualities on their lover that only disappointment can follow.
Large parties given to very young children... foster the passions of vanity and envy, and produce a love of dress and display which is very repulsive in the character of a child.
I want to reach everybody, from the little girls who are 3 years old, to the grandmother who watches my soap, to a young man in love.
Until MTV, television had not been a huge influence on music. To compete with MTV, the country music moguls felt they had to appeal to the same young audience and do it the way MTV did.
My inner rock chick has always been there. I grew up listening to a lot of rock music through my sisters, who were teenagers while I was young, so they had control of the radio.
My grandma said - when I was really young and I'd sing along to the radio - why do you sing in an American accent? I guess it was because a lot of the music I was listening to had American vocalists.
I started performing very young as a salsa dancer, and every time I was on that stage dancing, all I knew was that I wanted to speak. I wanted the music to stop, and I wanted to speak.
I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonist's taste in music, or we're told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.
