I've been married three times, but I'll never forget my first trip as a young man, on my honeymoon, with my new wife.
The Australian film industry has recognised Tropfest as a place to nurture young talent. It's a stepping stone between amateur and professional.
I think that freshness and that innocence is something that is missing from a lot of female singers. I'm certainly not denying that I'm young, but I'm not fluff.
I've done a lot of pilots. A lot of shows. You're young and you do a job just because you know someone gave you a job.
Donning a glove for a backyard toss, or watching a ball game, or just reflecting upon our baseball days, we are players again, forever young.
But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.
I grew up in a very modest house. We were poor-we lived on the poverty level. We all got jobs as young kids.
It's fantastic for Arsenal, and for English football as well. You've got an English club with a lot of young English talent committing themselves to a club.
My mother and I split ways when I was very young and have never really reconciled.
My first generation of young readers now have not only children, but some of them have grandchildren to whom they're introducing their old passion.
Young bodies are like tender plants, which grow and become hardened to whatever shape you've trained them.
Young people need their own private places which mothers don't belong to, even if they want mother all around the edge of that.
If you look at any ancient civilization, they've all used fantasy stories to train the young.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
I started playing with a group of young people when I was 13. I turned professional when I was 15 and I played dance halls, this on bass guitar.
I always told my young umpires, 'Don't get mad. Whatever you do, don't show it. But no matter how long it takes, get even.'
In England we burnt redheads at the stake, because we thought they were witches. There are still young redheads in Britain getting ripped for having red hair. 'Oy, Ginger!'
Now here I am playing a passionate young Irishman who would die for what he believes in.
I think the biggest problem in the world is that we have a generation of young people, and maybe two, who don't think it's going to get any better.
The capacity of young people to persevere, even under the most adverse conditions, never ceases to amaze me.
I think the most dangerous influence for a young writer is to be treated with cynicism or discouragement.