[voice over] Lorenzo: Young protesters spoke about how they'd change our lives and fix the world. But while they shouted their slogans, my friends and I went to the funeral services of the young men of Hell's Kitchen who came back from Vietnam in bod...
Jim Cunningham: Now, I'm going to tell you a little story today. It's a heartbreakingly sad story about a young man whose life was completely destroyed by these instruments of fear. A young man, searching for love in all the wrong places. His name wa...
Tyler Durden: All right, if the applicant is young, tell him he's too young. Old, too old. Fat, too fat. If the applicant then waits for three days without food, shelter, or encouragement he may then enter and begin his training.
[young Jenny's father is chasing her through the fields to beat her when she stops and hides] Young Jenny Curran: Dear God, make me a bird. So I could fly far. Far far away from here.
Young Murph: Dad, why did you and mom name me after something that's bad? Cooper: Well, we didn't. Young Murph: Murphy's law? Cooper: Murphy's law doesn't mean that something bad will happen. It means that whatever can happen, will happen.
Young Murph: What are you going to do with it? Cooper: I'm going to give it something socially responsible to do. Young Murph: Can't we just let it go? It's not harming anyone. Cooper: This thing needs to learn how to adapt, Murph. Like the rest of u...
Young Allie: What do ya want? [asks after he tells her he needs to regain his strength after making love all day] Young Noah: Hmmm. I want some... uh... pancakes... and some bacon... and chicken.
C. K. Dexter Haven: Hello friends and enemies. Uncle Willie: Young man, remove yourself! C. K. Dexter Haven: How are you, sir? Uncle Willie: I don't know. Get along! Get along!
Ichabod Crane: We take the Indian Trail to the Tree of the Dead. Young Masbath: How will we recognize it? Ichabod Crane: Without difficulty, I rather fear. Then climb down to the Horseman's resting place. Young Masbath: His camp? Ichabod Crane: His g...
I think that the path that I took was normal in the American society where young women and men are not trained as to how to make the transition from being a girl to being a woman, from being a boy to being a man. And so I think that most young people...
A Christian school should be a place where young men and young women go through a period of spiritual formation and development so that they come out incredibly more proficient at living out their calling than they would have been had they not gone t...
Anita Miller: FECK YOU! Elaine Miller: HEY! Anita Miller: This is a house of lies! Elaine Miller: Well there it is, your sister used the "F" word. Young William: I think she said "feck." Elaine Miller: What's the difference? Young William: The letter...
Wilbur (Age 10): Is it true she's got a glass eye? I heard she got it from the gypsies... Young Don Price: What's a gypsy? Ed Bloom (Age 10): Your momma's a gypsy. Young Don Price: Your momma's a bitch.
In fact, I really didn't get enthused about his Secretary of State race until I attended a couple of his rallies and found out there were a bunch of young folks that there were a bunch of young folks that he had been able to recruit on his own.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I...
The first few weeks of school were always surreal, like you landed on an alien planet with strange teachers and unfamiliar classrooms, even though the lockers and cafeteria seemed familiar.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task i...
Dell had left the army and taken the discipline home with him. I’d left the theatre world and taken the whisky sodas home with me.
Good actors, including political actors, do not deal in unrealities. Rather, they create realities that matter – perceptions, aspirations, allegiances.
I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!
The of learning. It's the same when you approach any new skill or technique, from a dance step to driving a car. The effort of learning stops you, at first, from doing it well.
