One of the big luxuries of being in Antwerp is that I can easily walk in the city. In Paris and New York, I am more recognized.
If you see me in New York, you'll probably see me on my bicycle riding furiously between a city bus and a taxi cab, hitting one of them on the side and yelling at them.
London is satisfied, Paris is resigned, but New York is always hopeful. Always it believes that something good is about to come off, and it must hurry to meet it.
I like to be in New York. Le Corbusier described it in the 1930s as a 'wonderful catastrophe.' It is still a wonderful catastrophe, but inspiring.
The New York Times' was enigmatic: 'Some unimaginable gravitational force is pulling our entire galaxy in the opposite direction.' End of article. If you stop and think about that, we are recreating ourselves.
Most Sunday magazines, with the New York Times as an exception, are kind of sleepy, weekend service vehicles to move living room products.
I remember perfectly my first trip to New York, when I was on the bridge between Brooklyn and Manhattan, when I saw the skyscrapers. It was like an incredible dream.
Charles Wang, owner of the New York Islanders, serves as something of a cautionary tale in terms of how heavy owner involvement can sink a franchise.
It's no secret that in New York during the last 30 years there has been a tragic exodus from the churches into materialism, secularism and humanism.
Though President Grover Cleveland declared Labor Day a national holiday in 1894, the occasion was first observed on Sept. 5, 1882, in New York City.
The New York that Frank Sinatra sang about, people will never know that place. The New Orleans that Louis Armstrong sang about is the New Orleans that's still there - it's preserved.
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
I started writing about New York as soon as I arrived. I was 19. I used to write short stories and send them out.
I've been seeing a lot of theatre in New York, and I am sort of terribly jealous of everyone on stage but also really appreciating it in a way that you can't when you're in the middle of it.
I had just moved to New York in September 2001, and immediately 9/11 happened, and of course it completely changed the city and everybody who lived there.
When I came to New York after high school in 1959 and started to meet musicians, 'Hot House' was like a standard jam session tune.
I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
I have tremendous admiration for everyone who enters the political arena so long as their goal is to do what they believe is right for the people of New York.
I moved to New York from California when I was 11, so initially I was seen as the California person for a while. I didn't feel like I was popular, but I did feel confident.
I'm not trying to take New York by storm. I just want to sneak in there, keep my head down, batten down the hatches and cook.
I wanted to be a theater actress, but I thought it would be easier to get to New York and the theater if I had a name than if I just walked the streets as a little girl from California.
