Recently I read the stories I wrote in my early 20s, to put in a volume. And here is this brittle young woman, writing about marriage as, not the worst thing, but the most boring thing that could happen to a person. Now I think I was wrong. I like to...
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I'...
Doc: [reading a letter his future self wrote] I never knew I could write anything so touching. Marty McFly: I know, Doc, it's beautiful.
When I started out, I wrote the songs, recorded the songs, mastered, mixed, did the artwork, made the packaging and did the distribution, all myself. Now I understand what everyone's jobs are, who is doing them right, and who isn't.
When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet.
I find it quite difficult to think that there's, you know, about 20 million people listening to my album that I wrote very selfishly to get over a breakup. I didn't write it being that it's going to be a hit.
'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.
I wrote "David" because it seemed to me that children, who can love a book more passionately than any grown person, got such a lot of harmless entertainment and not enough real, valuable literature.
There comes a time when you swim or sink so I jumped in the drink 'cause I couldn't make myself clear. Maybe I wrote in invisible ink, oh I've tried to think how I could've made it appear.
'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.
I started writing as a child. But I didn't think of myself actually writing until I was in college. And I had gone to Africa as a sophomore or something - no, maybe junior - and wrote a book of poems. And that was my beginning. I published that book.
I wrote three novels in six months, with a clarity of focus and attention to detail that I had never before experienced. This type of sublime creative energy is characteristic of the elevated and productive mood state known as hypomania.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and that's very much the same ethos as what Richard Yates and John Cheever wrote about.
I don't think people are fans of me because I wrote hit songs. I think they're fans because I'm a lunatic or a weirdo. The hit songs came out of my idiosyncratic personality, not the other way around.
Mozart liked to write letters while on the loo. He wrote, "I think it only fitting to write while shitting." This gave me the idea of, "I think it only fitting to read while ..." Who says men can't multitask?
In 1969, I wrote a musical called 'Mother Earth.' It was a rock musical with an ecology theme. We did it at the South Coast Repertory Theatre in Southern California where I was a member. It was a smash hit in this small theater.
I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.
I was miserable, of course, for I was seventeen, and so I swung into action and wrote a poem, and it was miserable, for that's how I thought poetry worked: you digested experience and shat literature. [from "Mingus at the Showplace"]
He (Mario Vargas Llosa) looks grave, transported. And there, I think, is the personality that wrote the books: one in which a subversive comic sense and appetite for the ridiculous jostle with an intense, statesmanlike seriousness about the business ...
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
The first song that I wrote was when I was with The Del Rios. I was like 14 years old but I was always putting my thoughts down on paper even before then because it was like an escape - a way of unleashing all the stuff.
