I discovered early that as an artist there was absolutely nothing wrong with being surrounded by people who were not dedicated to your field.
I won't sacrifice my characters morals/intentions/motives for the sake of what I believe is right or wrong. If the action fits the character it will be written. That's that.
I think that you really don't have a choice, when you see that things are wrong the only choice you really have is to just do what you can to make it better.
If everybody loves you, you must be doing something wrong. It means there's no button being pushed... The only way that everybody loves you is toward the end of your career.
I SAW THEIR STUNNING BODIES GO SLACK AND GET HAIR IN THE WRONG PLACES AND I VOWED I WOULD NOT PERMIT THAT TO HAPPEN TO ME.
Most people think that to meditate, I should feel a particular special something, and if I don't, then I must be doing something wrong.
My very first job was at McDonalds. In that job I learned an important principle: When something goes wrong at work, blame the guy who gets killed.
Many people feel like they were born into the wrong family. Nevertheless, adults must take responsiblity for the pain of the past and create a productive life in the present.
L.A. style is more laid back than London, mainly because it's always sunny. In London, the cold means you get to rock layers. And you can't go wrong with a trench coat!
You have to feel more involved than just writing out a cheque. Charity is almost the wrong word - I think people are beginning to feel more responsible for the world.
I should be very willing to redress men wrongs, and rather check than punish crimes, had not Cervantes, in that all too true tale of Quixote, shown how all such efforts fail.
The richest persons in Africa are heads of state, governors and ministers. So every 'educated' African who wants to be rich - and there is nothing wrong with wanting to be rich - heads straight into government or politics.
Rosa Hubermann: [cleaning her skinned hands] You're too much like your father. you know that? Liesel Meminger: What's wrong with that?
You either trust someone day one until they prove you wrong, or you say, 'I don't trust you until you show me I can trust you.' I'm the latter.
A lot of people think I'm cynical when I talk about acting. The truth of the matter is, I just don't want someone to get some lame advice that will send them in the wrong direction.
My emotional investment is in finding truth. If string theory is wrong, I'd like to have known that yesterday. But if we can show it today or tomorrow, fantastic.
I think we've all been misled, at moments in our lives, certainly in school situations, and things like that, with getting with the wrong group briefly, or falling in with someone who we learn the truth about and no longer want to really be with.
[last lines] Shaniqua: Ahh! Oh, my God. What the hell is wrong with you people? Uh-uh! Don't talk to me unless you speak American!
Ron Woodroof: I swear it, Ray, God sure was dressin' the wrong doll when he blessed you with a set of balls.
Daniel: [looks into coffin] Who is this? Undertaker: Pardon me? Daniel: That's not my father. Undertaker: [checking] Oh shit, we've taken the wrong one.
Louison: One must always forgive. Julie Clapet: Depends. It's not always possible. Louison: Don't say that. No one is entirely evil. It's circumstance. Or they don't realize the wrong.
