We despise and abhor the bully, the brawler, the oppressor, whether in private or public life, but we despise no less the coward and the voluptuary. No man is worth calling a man who will not fight rather than submit to infamy or see those that are d...
People never think of entertainers as being human. When you walk out on stage, the audience think, 'Nothing can go wrong with them.' We get sick and we have headaches just like they do. When we are cut, we bleed.
The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience,...
Every place you visit is already the beauty you bring with you awaiting discovery, one must have it to give it. You can be in the grandest of places but you will never truly experience life when you bring with you a wrong mindset.
I felt there needed to be a show for teenagers that didn't make them feel judged. 'Skins' never tried to preach. It allowed young people to make their own decisions about what to do and whether it was right or wrong. Young people really respond to th...
You know what, I've always been a smarty-pants, and the only thing that goes wrong now is that people know that I play a doctor on TV and so they quickly call me out on the fact that I really think I am a doctor.
The problem was with Bill Clinton, the scandals and rumored scandals, the incubating ones and the dying ones never ended. Whatever moral compass the president was consulting was leading him in the wrong direction. His closets were full of skeletons j...
In bed at night, I could be reading some book, and I'll come across a sentence that's totally unrelated to some scene I did years ago. But I'll play the scene back in my mind and think, I did that wrong - I should've opened the door more slowly.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
It's wrong, what you say, and I beg you, if you're a good man, to forget what you've said, as I forget it," she said at last. "Not one word, not one gesture of yours shall I, could I, ever forget...
Who's paying the million bucks? The insurance company. We've been trying for years to get the insurance industry to say to the gun industry, We won't insure you unless you have policies that will reduce the likelihood of guns falling into the wrong h...
How do we change the world is the wrong question to ask or try to answer. We are never stagnant just and neither is the world. It's changing every moment of every day. The real question is how do we develop it.
I argue that for every country to have an independent fuel cycle is the wrong way to go. Because any country which has a complete fuel cycle is a latent nuclear weapons country, in the sense that it is not far from making a nuclear weapon.
She was a pretty girl, with a pointed face and blue-black hair. But she was an untidy, a dusty sort of girl, and you felt that in a few years something might go wrong; she might get swollen ankles or grow a mustache.
'Write' is almost the wrong verb for what I do. I think 'compose' is more accurate because you're trying to make the sounds in your mind and in your voice. So I compose while I'm driving or in the shower.
So the point is, I don't have a right to tell anybody what's right or wrong about their lives. Who am I to tell you at any given moment of the day what would be right for you?
The deeper I go into mythology, the more I find. I originally did five 'Percy Jackson' books. I thought that would cover Greek mythology and I couldn't have been more wrong. It's ever-expanding.
And so, you can do hundreds and hundreds of studies showing a general factor and just so long as you restrict your populations, your testing materials and the kinds of situations you look at, you can keep finding the same wrong thing again and again.
Obviously, I'm very happy when one of my films becomes a blockbuster. However, after a point, I want to switch off. I have learnt to just move on. Too much pressure can make you wrong.
Seven out of my nine films were hits. 80 per cent of the audience loves my films; the remaining 20 per may be right in their opinion, but that doesn't make me wrong. If I try too hard to woo them, I'd be cheating my core audience.
On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.
