Max Bialystock: [smiling at Leo to calm him down] Well you know what they say, 'smile and the world smiles with you' [looks at audience] Max Bialystock: this man should be in a straight-jacket
Nathan Arizona Sr.: Dammit, are you boys gonna chase down your leads or are you gonna sit drinkin' coffee in the one house in the state where I know my boy ain't at?
Gale: Here you are sitting on your butt playing house with a... Don't get me wrong, H.I., a fine woman but one who seems like she needs one of those button-down types.
[Sugar Ray Robinson has just battered Jake La Motta half to death, but Jake has stayed on his feet] Jake La Motta: You didn't get me down, Ray.
[Bond is chasing Silva who escaped, trying to open a door] James Bond: It won't open. Q: Of course it will, put your back into it. James Bond: Why don't you come down here and put your back into it?
[after Cosmo's car breaks down] Don Lockwood: Don't tell me, it's a flat tire. Cosmo Brown: I can't undertand it. This car hasn't given me a lick of trouble in nearly 6 hours.
Capt. Malcolm Reynolds: They take you down, I don't expect to grieve overmuch. Like to kill you myself, I see you again. The Operative: You won't... [small, grim smile] The Operative: There is nothing left to see.
Sherlock Holmes: [lights pipe] Dr. John Watson: What are we doing down here? Sherlock Holmes: *We* are waiting. *I* am smoking.
Rooster Cogburn: Is that him? Mattie Ross: I believe not. Rooster Cogburn: Oh, cut him down. Mattie Ross: [incredulous] Why? Rooster Cogburn: I might know him.
Mattie Ross: [Rooster and LaBoeuf gallop away from the ferry, leaving Mattie behind] Those horses can't get away from Little Blackie - they're loaded down with fat men and iron.
Tommy Ryan: That's typical. First class dogs come down here to take a shite. Jack: That's so we know where we rank in the scheme of things. Tommy Ryan: Like we could forget.
Verbal: What the cops never figured out, and what I know now, was that these men would never break, never lie down, never bend over for anybody. Anybody.
Joan: Carry a laser down the road that I must travel! Kip: Why would it be 'carry a laser'? Joan: Because it's a song about outer space.
Tinker: Up the airy mountain, down the rushy glen, we daren't go a hunting, for fear of little men. You see, nobody ever goes in... and nobody ever comes out.
Tom Conlon: So you found God, huh? That's awesome. See, Mom kept calling out for him but he wasn't around. I guess Jesus was down at the mill forgiving all the drunks. Who knew?
Private Henry Hook: [after being ordered to help prepare for the Zulu attack] What for? Did I ever see a Zulu walk down the City road? No! So what am I doing here?
What a sound money system does is to stabilize all the elements in it, and reduces the uncertainty that people confront. And the one thing all human beings do when they are confronted with uncertainty is pull back, withdraw, disengage, and that means...
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more ...
I traveled with my mother, Lela, and there was never enough money. I always had to roll down my silk stockings and carry a doll when we bought train tickets so I could go half-fare. If we had $3, we always figured how to tip for the trunks and still ...
That's the trouble with being me. At this point, nobody gives a damn what my problem is. I could literally have a tumor on the side of my head and they'd be like, 'Yeah, big deal. I'd eat a tumor every morning for the kinda money you're pulling down....
In fact, I had a series of offers which would have brought me a lot of money to make films and package TV programs. There were people who said to me, we'll put a million dollars in your bank account tomorrow, which is a hard thing to turn down.
