I did a weird thing when I was about 24. For four years I had written quite a lot of poetry, and I started reading through it and thought some of it was really good. So I burnt it all.
Fiction is the thing I esteem most in my own work; I feel that, even if it's no good, only I could have written those books.
'Restaurant Man' is kind of the story, an unabridged story of what happened in my life, the good bad and ugly. Some people might glean some life lessons. It is honest, not written as a press release.
I've written enough books with real celebrities, such as Walter Payton and Hank Aaron and Billy Graham, to know that fame looks good only to people who don't have it.
I have definitely written a happy song about someone and then we ended up splitting up, but you have to put those kind of things to the back of your mind and tell yourself that it's a good song and it works on the album.
You need the past as a guideline. The history of music is a good basis, but to escape that stuff, that tortuous rulebook, you have to learn it first. It's kind of like religion - once you've written the Bible, that's it, move on.
It's easy to get published once you have written a really good book and the hard part, 99 percent of what you need to worry about, is really finishing it.
Action is greater than writing. A good man is a nobler object of contemplation than a great author. There are but two things worth living for: to do what is worthy of being written; and to write what is worthy of being read.
If people stop being interested, it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
If you look on Amazon - if you do a search for personal finance, there are literally 20,000 books written on personal finance, and there's no real reason for it. I mean, personal finance is pretty simple.
If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.
The vehemence with which certain critics have chosen not simply to criticize what I've written, but to challenge my writing this story at all, speaks of what the book is about: fear of disapproval.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
Scientology is not written with disrespect toward God. It doesn't worship something that is evil. It is scientific, mathematical, and spiritual. The black community has to check it out and see what's there. I'm not saying it's for everyone, but you h...
Through the grace of Christ we shall live in obedience to the law of God written upon our hearts. Having the Spirit of Christ, we shall walk even as He walked.
The law of God, and also the way to life, is written in our hearts: It lieth in no man's supposition and knowing, nor in any historical opinion, but in a good will and well-doing.
When we developed written language, we significantly increased our functional memory and our ability to share insights and knowledge across time and space. The same thing happened with the invention of the printing press, the telegraph, and the radio...
So no one should rely on television either for their knowledge of music or for news. There's just more going on. It's an adjunct to the written word, which I think is still the most important thing.
Music is a prerogative of those who are willing to spend time to study it, understand and love it, well aware of the fact that one life is not enough to improve just one single note of what has already been written and performed.