Feather Woman: Excuse me, have you seen my husband, Izaak Szerman? A tall, a tall handsome man, with a little grey beard. No? Oh, excuse me. Goodbye, sleep well. But if you see him, write to me, yes? Izaak Szerman!
Herman Blume: Take it easy, Max. Rosemary Cross: You were the one that ordered him a whiskey and soda. Max Fischer: So what's wrong with that? I can write a hit play. Why can't I have a little drink to unwind myself?
Joe Gillis: I'm not an executive, just a writer. Norma Desmond: You are, are you? writing words, words, more words! Well, you'll make a rope of words and strangle this business! With a microphone there to catch the last gurgles, and Technicolor to ph...
Alvin Straight: I want to thank you for your kindness to a stranger. Danny Riordan, Clermont Resident: It's been a genuine pleasure having you here, Alvin. Write to us some time. Alvin Straight: I will.
Everybody makes money for a living, but most of us actually do something that has a point, in addition to just making money. We examine and treat patients, we teach students, we draw up contracts and wills, we write for newspapers, magazines, and web...
My assumption when I began writing was that you were never going to make any money. And you were never going to reach everyone. Therefore you had to do as much as you could in the service of something you genuinely believed in. And if you do that and...
A part of me was like, 'Man, do I even like doing this anymore?' That whole thing of 'I'm in my 30s, and I sing and write songs while people are fighting wars in Iraq.' You know? So everything had to have more meaning, and it couldn't just be about m...
I often call Daptone the Motown and Stax of today. But in some ways, it's different. At Motown, a lot of the musicians didn't get recognized, music got stolen, and people didn't get paid. Or the label would just throw them a pinch of money for their ...
I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.
I could draw Bloom County with my nose and pay my cleaning lady to write it, and I'd bet I wouldn't lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear w...
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.
I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review on the Internet and it means as much as Roger Ebert's review, and that just makes Roger Ebert mad, so he come...
I've been writing since I was 10 or 11. I started with poetry because that was the easiest thing. It just kind of came naturally. I think at that time West Coast hip hop was huge; all these kids around me were like, 'I want to be a rapper.' But I'm a...
This 'Making Mirrors' album is far more personal, even if there's a character element to the sounds I'm working with. Every song on this album I stand behind; I feel like I have a close relationship with them. There are older songs where I can feel m...
The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuf...
I see every book as a problem that you have to solve. That is what dictates the form you use. It's not that you say, 'I want to write a science fiction book.' You start from the other end, and what you have to say dictates the form of it.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
If I buy a Fiat Uno, I'll read that, for a man like me, a Ferrari was more suitable. If instead I buy a Ferrari, they'll write that I should have kept my feet on the ground and bought a Fiat. If I smile, I'm not serious. If I don't smile, I'm a rich ...
Traditionally, people have been adapting novels and short stories forever. Now, they're doing it simultaneously, with an eye towards writing the movie before the novel has even come out or been finished. It's a function of this hyper-accelerated soci...
Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society f...
I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is ...
