Everything has to be clean and orderly when I sit down to write. I have candles going, and small objects that remind me of what I am working on, or bring me into the world of the character.
Sometimes, writing songs is like waiting in for deliveries. They give you a window, and your washing machine is going to show up, whether the window is the album or something you're thinking, like, 'This thing is going to come to me.'
You don't meet that many people that you can talk about Roots Manuva with, but that was my favorite in school, this record of his called 'Run Come Save Me.' When I first started writing lyrics, it came from that.
Between speeches and awards, you can find something to do every other week. It's hard to write. Your focus gets splintered. Once you put one thing in your calendar, that month is gone.
I write. This is what I do. My job is to sit down with my vocabulary, select words, and decide what order they should be placed in an attempt to keep someone's attention and perhaps provide them with a laugh or two along the way.
The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out.
When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
I'm a huge Emile Zola fan, and when Bill Gallagher said he was writing a new character for 'The Paradise' and had me in mind for the role, I knew I wanted to play Tom Weston before I'd even read a word of the script.
I never thought I would write about the Book of Revelation. It's so dense; it's so complex and puzzling. But then I found I was thinking about a number of themes, one of which has to do with politics and religion.
A parentologist is a person who writes a book about parenting that is very clear about answers to, 'How am I supposed to raise my child?' Some of these well-intentioned people may be a bit too sure-footed on the sometimes slippery slope of parenting.
High-profile columnists should remember they are in a privileged position. Writing isn't a dreadfully specific skill - it's taught to millions via our schooling system. And opinions? Well, I've yet to meet people without opinions.
I’m sorry if...I get too personal, if I make you uncomfortable, but writing is like one of the seven deadly sins, like Sharing on Mr. Rogers, and once you get the bug you’re trapped in The Neighborhood of Make-Believe forever.
But no matter what love throws at you, you have to believe in it. You have ot believe in love stories and prince charmings and happily ever after. That's why I write these songs. Because I think love is FEARLESS.
I was once hired to write a column for 'The Guardian' and then got fired before I'd submitted my first one. That was unusual. Most newspapers wait until I've written at least one piece for them before firing me.
It is clear that when you write a story that takes place in the past, you try to show what really happened in those times. But you are always moved by the suspicion that you are also showing something about our contemporary world.
I don't want to write a novel per year. I know that I need a break of one or two years. So maybe I invent some new, urgent activity so I don't fall into the trap of starting a new novel.
I don't teach writing classes anymore, and I'm really glad I don't, because I would feel very strange about telling people, 'Go out there and be a writer, and make a living from it.'
I'll be writing as long as I can hold a pen in my curled, crimped arthritic hands and then I'll dictate it, if it comes to that. They'll have to pry my pen out of my cold, dead fingers - and even then, I'll fight 'em for it. Guaranteed.
Leo had once joked about writing an allegorical sketch where Parody packed its bags, shut up shop and put a sign on the door which read: “Closed. Any inquiries please contact the Real”.
So here I am with this double life, one where my grammatically incorrect writing is a nice success with tens of thousands of readers, and another one where my carefully written books are read by a dozen people.
The curly red lines across the African deserts had the fascination of a magnet, and I hoped fervently that the pioneers who were writing their names over the blank spaces, would leave just one small desert for me.
