I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
Maybe if I'd studied writing instead of anthropology, I'd be more sensible. You know - pick a genre, follow the rules, stay in the box - but let's face it. Sensible people don't major in anthropology.
When I'm stuck in my writing, the world is amiss. If I'm eating a sandwich, it's an unsettled sandwich. If I'm in the shower, it's an incorrect shower. It's profoundly uncomfortable. But it's what keeps me pushing.
Our forefathers never envisioned that a handful of staff write a bill and you rush it through a committee without reading it and you rush it to the floor without reading it, and you pass it just because you're a Democrat and Democrats told you to do ...
How can anyone underestimate the ballistic quality of words? Invisible things happen in intangible moments. What should keep us writing is precisely that possibility of explosions
I talk about myself. That's what I am. I'm a blogger. I have always decided that I was going to be an expert on one thing, and I am an expert on this person, and so I write about it.
In Endless Quest books, you start the plot, and the character has to make choices. Then you have to write one choice over here, one choice over there. The author might get one or two choices out.
I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book.
My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
I was always determined that one way or another I would force a book on the world, even if I had to resort to writing one about a tabby cat who solves mysteries.
I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
The only strategy I know of is to write every day, which I don't always do, because sometimes I just can't, for various reasons that seem out of my control.
When I write stories I am like someone who is in her own country, walking along streets that she has known since she was a child, between walls and trees that are hers.
The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
I started when I was 15 years old. And at that time, I was not thinking about changing the world, I was doing graffiti - writing my name everywhere, using the city as a canvas. I was going in the tunnels of Paris, on the rooftops with my friends. Eac...
I think of it as the lasagna approach to writing because I'm always adding layers. I'll sometimes do it layer by layer, with dialogue, attribution, action, objects in the scene, setting... It can be sometimes that delineated.
People read stuff over your shoulder when you're in public, and when you write the kind of stuff I do, and people read it over your shoulder, it makes you a little self-conscious.
I read the novel I had been writing for several months with an odd sense that it was the work of a stranger. I usually work in the dead hours of night and surprising the manuscript mid-morning revealed the flaws and excesses it was trying to conceal.
I feel like when I'm on stage, when I'm writing songs, singing songs, I'm in the studio, I'm shooting videos, I kind of get to become this character, and I can make that whatever I want to make that.
