Stu Price: We can even write you a check right now. Mr. Chow: No chance. Cash only. Stu Price: There's a person in there!
[to himself, just before being lowered off a helicopter] Jack Ryan: Next time, Jack, write a goddamn memo.
Vanessa Bell: Your aunt is a very lucky woman Angelica. She has two lives. The life she is living, and the book she is writing.
Teddy: When she offers to help, it'll be for her own reasons. I'm not lying. Take my pen, write this down. Do not trust her.
Narrator: Max hoped Mary would write again. He'd always wanted a friend. A friend that wasn't invisible, a pet or rubber figurine.
Frank Kruse: This is my job. Nina Romina: Your job's writing the tweet of the day and getting Deb to turn sideways during the weather forecast.
Allie: Did you write that? Duke: No, that was Walt Whitman. Allie: I think I knew him... Duke: I think you did too.
Franz Liebkind: Baby! Baby!... Why does he say this "baby"? The Führer has never said "baby". I did not write, "baby". What is it with this, "baby"?
Lisa: Where does a man get inspiration to write a song like that? Jeff: He gets it from the landlady once a month.
Joe Gillis: Audiences don't know somebody sits down and writes a picture; they think the actors make it up as they go along.
Jack: I don't know about you, but I intend to write a strongly worded letter to the White Star Line about all of this.
I've always had money because of my early success with Cream, so I tell young musicians to aim to write their own material, because owning the composition rights makes a very big difference.
Until 1954, I'd only ever thought of being a painter, but I earned my money when and where I could. You could say I drifted into writing.
I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
We go to school to learn to work hard for money. I write books and create products that teach people how to have money work hard for them.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
I first had the idea of writing a popular book about the universe in 1982. My intention was partly to earn money to pay my daughter's school fees.
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.
Well I've been writing books. So that, by its nature, is kind of a solitary occupation. And from time to time I have research help, but mostly I've done those completely on my own.
