Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts. We are been taught to be ashamed of not being 'outgoing'. But a writer's job is ...
Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as...
If you must write prose or poems, the words you use should be your own. Don't plagiarize or take 'on loan'. There's always someone, somewhere, with a big nose, who knows, who'll trip you up and laugh when you fall.
Love leads us to write poetry because love improves our hearing; like prayer, poetry is every bit as much about listening as it is about speaking. To 'get' the poem is to hear the eloquence of the silence that it calls forth through its manifestation...
one of the great virtues of Christianity, according to (John)Wesley, is the way it fills up our every waking hour. Both (N.T.) Wright and Wesley write that Christianity is not just about what God does for us but what God does in us.
It is unclear how much longer people will write on dried and flattened wood. Trees do so much for humans and for our planet that it hardly seems fair to ask them to carry our thoughts as well. From "Life from an RNA World: The Ancestor Within.
You write once and you can call yourself a writer, but it takes three novels before you can call yourself a novelist. The first two could have just been lucky. One day, I will finish my third, and one day, I will be a novelist.
For the length of time it takes to write a book, you need to believe that you’re the only writer in existence; the only one who matters. You need to shut yourself away and allow the creativity to build up, not leak out through worry and comparisons...
Writing is like baking cupcakes, you're trying to make something from the raw. Like with cupcakes it's flour and eggs and stuff, and with books it's ideas and words. The end result is the same though, you want people to eat them up.
Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.
I just let the songs tell me what to do - they are my guides, and they are the boss. So I am subservient to the songs, and I let them tell me what to do. I don't judge them; I just write whatever comes to me.
If you write any kind of fiction about America, you immediately have to start doing some research about guns, so in some ways, 'Gun Machine' is just the culmination of 20 years of reading about guns.
As I travelled around Australia, strangers in pubs, on airplanes, in beach parking lots would bring up Gina Rinehart, not knowing I was writing about her. Everybody had something to say, some of it thoughtful, some of it poorly informed, some of it v...
For 'The Big Wander,' I probably had ten different outlines before I made myself start writing. I would sleep on each one, thinking it was wonderful, but I would always awake perceiving some flaw.
You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
If you imagine writing 1,000 words a day, which most journalists do, that would be a very long book a year. I don't manage nearly that... but I have published slightly too much recently.
The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. ...
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed ...
Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
I have become convinced that the more wealth a country accumulates, the more isolated and lonely its people become. The loneliest are usually the children and the elderly. Children learn what they live, and isolation in the ‘village’ is one of th...
