They do not merely collect texts; they must also gather data about the context and the informant and, above all, write an analysis of the items based upon the course readings and lecture material on folklore theory and method.
I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent...
All stories are love stories, and there are numerous kinds of love, from the love of a mother holding her child for the first time to the love of blood that drives a psychopath, so I will always write about love, but not necessarily romance. Let the ...
I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With 'E.R.,' we were all very lucky to get this combination of people together ...
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent ...
I write easily, let's put it that way. And in a novel particularly, the characters take over. And they tell me what to say and they tell me what they're doing. And I'm a third of the way into a novel and then I just let the characters finish it for m...
No one looks at your hands to see how much they shake when you are interviewed to be a surgeon. The physical skills required are no greater than for writing cursive script. If an operation requires so much skill only a few surgeons can do it, you mod...
It is a great paradox and a great injustice that writers write because we fear death and want to leave something indestructible in our wake and, at the same time, are drawn to all the things that kill: whiskey and cigarettes, unprotected sex, and dee...
I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.
We were developing an innovative Personal Information Manager called Chandler but a couple years ago I took off from that to do a project writing down my memoirs essentially, reminiscing about the development of the Macintosh.
I was kind of an outsider growing up, and I preferred reading to being with other kids. When I was about seven, I started to write my own books. I never thought of myself as wanting to be a writer - I just was one.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the mov...
My goal was to do anything that would lead to a job. I know that writing would not lead to a job. It's too fancy for me. My biggest goal was to be an office receptionist, answer phones. I didn't expect to go beyond that.
I had no idea when I moved to Nashville people just were songwriters. I had no idea. So I guess I was selling myself as a singer when I first moved here. But then right after I first moved, I started writing a lot.
Writing a novel is an act of self-annihilation as much as self-discovery. You can kill whole appetites and flood whole depths while plumbing them, but if you are serious about it you also get to put something into the world that wasn't quite there be...
You start at the end, and then go back and write and go that way. Not everyone does, but I do. Some people just sit down at the page and start off. I start from what happened, including the why.
A person’s tragedy does not make up their entire life. A story carves deep grooves into our brains each time we tell it. But we aren't one story. We can change our stories. We can write our own.
I really don't know why Scarlett has such appeal. When I began writing the sequel, I had a lot of trouble because Scarlett is not my kind of person. She's virtually illiterate, has no taste, never learns from her mistakes.
I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
I think some authors suffer from a need to try to prove that they're clever and educated. I try not to suffer from that. I would rather sacrifice my own narrative in the exercise of writing a biography. So I'm not worried about whether I'm clever.
