I wish I didn't have ever to sign my long name on the cover of a book, and I wish I could write a story that would seem absolutely true to the child who hears it and to myself.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody....
True writers know that writing is not something they feel required to do, or to make a living they must do, it is quite frankly like breathing. Some can breathe often and fluently, some short breaths, some a long exhale and for many of us it is the p...
At one time I was weary of verse writing, and wanted to give it up. At another time I was determined to be a poet until I could establish a proud name over others. The alternatives battled in my mind and made my life restless.
I think the only boundaries are individual and personal. A writer should be free to write about anything he or she wants to, including the twin towers. I have made small references to 9/11 in my past two books.
A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning s...
I've always been interested in how fast-moving our identity is and that I've never been able to pin down who I truly am. That inspires me to write, because I feel like that cements me a bit, in that I find my identity in being an artist.
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entert...
Architectural kitsch is most common in the commercial pop vernacular - typified by the Big Duck of 1931 in Flanders, New York, a Long Island roadside poultry stand resembling a duck, which Venturi and Scott Brown made a cult object through their writ...
I wonder what it means about American literary culture and its transmission when I consider the number of American poets who earn their living teaching creative writing in universities. I've ended up doing that myself.
For me, writing a novel is more like digging a well than climbing a mountain - some heroic thing where I set out to conquer. I just sit quietly for a few years, and then it starts to become something.
A leader whose speech is prepared by others is not a leader; he is just an empty and stupid bottle! Use your own ideas and your own brain; write your own speech, just like Gandhi, Churchill or Nehru! That is indeed a good ethics and a good honour!
When I worked in theater, I was always writing things on Post-it Notes and sticking them on screens or desks. Twitter has given me a way of continuing to post those notes, only a lot of other people see them, too.
When I was a little boy in short pants, I dreamed about a miraculous ointment that would make me invisible. Then I became an adult, began to write, and wanted to be successful. Now I'm successful and would like to have the ointment that would make me...
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
You know, the Tea Party is a - first of all, it is a significant movement, and I think the media and some pundits have tried to write it off as a bunch of cranks or something. But, in fact, it's really a very legitimate and fairly significant swath o...
I've always wanted to write a book relating my experiences growing up as a deaf child in Chicago. Contrary to what people might think, it wasn't all about hearing aids and speech classes or frustrations.
After I won the Pulitzer, there was this sense of, 'OK, that's enough for you. Now go away.' What I wanted was to keep writing, keep working. But no one would produce anything of mine they didn't think would be as big as 'night, Mother.'
All fiction relies on the real world in the sense that we all take in the world through our five senses and we accumulate details, consciously or subconsciously. This accumulation of detail can be drawn on when you write fiction.
Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into...
