In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out...
When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be b...
I actually come from comics, and I'm big on comics. I was reading 'Walking Dead' from the beginning. Then just being on the show, I was really lucky to work on episodes like 'Pretty Much Dead Already' and 'Clear.' I worked a lot on episodes that I di...
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not ...
In my view, the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
I do wish I could write like some of the American women, who can be clever and heartfelt and hopeful; people like Lorrie Moore and Jennifer Egan. But Ireland messed me up too much, I think, so I can't.
In the U.K., we have a paper called 'The Daily Mail,' which is quite misogynist. And every day, it just writes pieces about: 'Women, you're going to die now! Women, here's shoes that give you cancer! Women, just hate yourselves!'
I wring my hands because I know that as a dude, my privilege, my long-term deficiencies work against me in writing women, no matter how hard I try and how talented I am.
I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented peop...
Before the Civil War, there were no national cemeteries, no processes for identifying the dead in the battle. There weren't any dog tags, and there was no next-of-kin notification. You didn't necessarily even hear what the fate of your loved ones had...
I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fi...
The hand that stocks the drug stores rules the world. Let us start our Republic, with a chain of drug stores, a chain of grocery stores, a chain of gas chambers, and a national game. After that we can write our Constitution.
I am at the moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.
It is a very good exercise, at least from a historian's point of view, to imagine oneself a devout pagan while reading various Christian writings.
Even when not in the act of writing Muscatine a letter, I was often composing one in my mind, situating the words just so, plunking one here, then one there, gauging how to sound worthy of his regard.
Well, for instance, why does everything always have to be written from the point of view of a human being? Why not write from the point of view of a cat? Or a tree?
Fighting and writing’s deepest layers of beauty lie not only in the physical and mental realms of what we know, but also as an incognizable instinct, a realm we will never fully know but will forever feel.
True and false fears let us refrain, Let us love nobly, and live, and add again Years and years unto years, till we attain To write threescore: this is the second of our reign.
Find what gave you emotion; what the action was that gave you excitement. Then write it down making it clear so that the reader can see it too. Prose is architecture, not interior decoration, and the Baroque is over.
Faulkner had an egg carton filled with periods and throughout his writing career, used nearly all of them.
I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
