Lead Cop: What the hell do you call that? Albrecht: I call it blood, detective. I suppose you'll write it up as "graffiti".
John Dunbar: [writing in his diary] If it wasn't for my companion, I believe I'd be having the time of my life.
[Dunbar has found an old skeleton on the prairie] Timmons: I'll bet someone back east is going, "Now why don't he write?"
Nikita Khrushchev: Write it then - "Vasilli Zaitsev is *not* dead. This is what he had for breakfast this morning, here's a picture of him reading today's newspaper." You're the poet.
Pauline Parker: [narration] The next time I write in this diary, Mother will be dead. How odd... yet how pleasing.
Stu Price: We can even write you a check right now. Mr. Chow: No chance. Cash only. Stu Price: There's a person in there!
[to himself, just before being lowered off a helicopter] Jack Ryan: Next time, Jack, write a goddamn memo.
Vanessa Bell: Your aunt is a very lucky woman Angelica. She has two lives. The life she is living, and the book she is writing.
Teddy: When she offers to help, it'll be for her own reasons. I'm not lying. Take my pen, write this down. Do not trust her.
Narrator: Max hoped Mary would write again. He'd always wanted a friend. A friend that wasn't invisible, a pet or rubber figurine.
Frank Kruse: This is my job. Nina Romina: Your job's writing the tweet of the day and getting Deb to turn sideways during the weather forecast.
Allie: Did you write that? Duke: No, that was Walt Whitman. Allie: I think I knew him... Duke: I think you did too.
Franz Liebkind: Baby! Baby!... Why does he say this "baby"? The Führer has never said "baby". I did not write, "baby". What is it with this, "baby"?
Lisa: Where does a man get inspiration to write a song like that? Jeff: He gets it from the landlady once a month.
Joe Gillis: Audiences don't know somebody sits down and writes a picture; they think the actors make it up as they go along.
Jack: I don't know about you, but I intend to write a strongly worded letter to the White Star Line about all of this.
I've always had money because of my early success with Cream, so I tell young musicians to aim to write their own material, because owning the composition rights makes a very big difference.
Until 1954, I'd only ever thought of being a painter, but I earned my money when and where I could. You could say I drifted into writing.
I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
We go to school to learn to work hard for money. I write books and create products that teach people how to have money work hard for them.
