In the glory days of Orioles, when I was a newbie baseball writer for the Post, the roster of talkers was as good as the everyday lineup. Singy - Ken Singleton - Flanny, and Cakes - the underwear spokesman Jim Palmer - were my go-to guys, occupying s...
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.
I think one of the things that writers and creative artists generally have to deal with is the censors that we have in our heads, the voices that we have that say you better not tell that and don't tell that, and people will think you're not a good g...
To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has ...
When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something int...
My father told us all the time: to become a good writer takes writing. Because the more you do it, the better you get at it. It's like bull-riding. You can't do it once, you know. You've got to practice it and practice it.
As a digital technology writer, I have had more than one former student and colleague tell me about digital switchers they have serviced through which calls and data are diverted to government servers or the big data algorithms they've written to be ...
Yet, it ought to be obvious that good music generally occupies a higher plane that mere politics. Great writers can express moods through melody and capture experiences we share most powerfully - love, lust, longing; joy, rage, fear; triumph, yearnin...
I'm like a unicorn; I'm a midlist writer who hasn't done anything else but write. But because I wasn't amazingly famous, I didn't become Stephanie Meyer, or even a huge literary name like a Jonathan Franzen or a Joshua Ferris.
I have a great job writing for 'The Office,' but, really, all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting ce...
My faith is in my colleagues. And when I meet other writers, journalists, who've been doing this for a long time, trying to make us aware of what it is that we're living in, I put my faith in those people.
It's funny, because in deference to conventional wisdom, I spent my struggling writer years trying to suppress my naturally baroque literary voice and write clean, spare prose. I finally gave up and embraced my baroque tendencies when I wrote the Kus...
The general public doesn't expect romance authors to be Harvard graduates. Which is funny, because there are actually quite a lot of us. But this disconnect means that journalists see me as an interesting story. The tricky part is making sure they un...
Movies don't look hard, but figuring it out, getting the shape of it, getting everybody's character right and having it be funny, make sense and be romantic, it's creating a puzzle. Yes, having been a writer for so long, I have an awareness of when t...
It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is p...
Some of the writers I admire who seem very, very funny and very emotional to me can develop a closeness with the reader without giving too much of themselves away. Lorrie Moore comes to mind, as does David Sedaris. When they write, the reader thinks ...
It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership...
Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.
I think people ease into this careerist professionalism, so if you're a writer it's your job to manufacture books as opposed to writing them and to go to festivals and spend your life emotionally invested in reviews or the awards. You have to shrink ...
Growing up, nobody I knew even knew a writer. So it was a big adventure and something that I've wrestled with my whole life. I think it's a journey worth taking, really finding out who you are and what you do well.
