Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do no...
They're hit writers. They're gonna write me a hit whether I wanted it or not you know? I could have put out a single a year ago with the Neptunes and maybe been writing now on top but that was not the path that I chose.
I grew up. I began to think the United States had some problems that really required the help of artistic people to solve. And I gave myself permission to be a writer instead of a civil servant.
A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them.
How do you write? You write, man, you write, that’s how…If you practice an art faithfully it will make you wise, and most writers can use a little wising up.
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
In Britain, because I live here, I can also run into problems of envy and competition. But all this is just in a day's work for a writer. You can't put stuff out there without someone calling you a complete fool. Oh, well.
With due apologies to Shakespeare, some people are born writers, some people achieve it after a lot of hard work, some people have a writing career thrust upon them. I am in that last group.
My father, a Russian translator, wanted to distinguish me by calling me Misha, the Russian diminutive of his name, Michael. My name and work as a writer specialising in the Balkans has created a myth that I have Slavic connections, but actually I am ...
We writers, as we work our way deeper into our craft, learn to drop more and more personal clues. Like burglars who secretly wish to be caught, we leave our fingerprints on broken locks, our voiceprints in bugged rooms, our footprints in the wet conc...
I think 'Overlord' has definitely benefited because I work with every single level designer, and working where we have space to tell the story. That's what it's all about - getting writers and storytellers involved in the team and being a back and fo...
I do not set specific work hours as some writers do. I generally stay with a chapter until I am satisfied, do very little rewriting, and if a scene is going well, I've been known to keep night owl hours.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented peop...
When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature.
The reason that war is such a fascinating subject for writers is because it's a revealer. Put a bunch of people in an adrenaline-fuelled, life-or-death situation and their fundamental behaviours are exposed, the scrim is taken away and the motivation...
One of the disadvantages of almost universal education was the fact that all kinds of persons acquired a familiarity with one's favorite writers. It gave one a curious feeling; it was like seeing a drunken stranger wrapped in one's dressing gown.
One of the disadvantages of almost universal education was the fact that all kinds of persons acquired a familiarity with one's favourite writers. It gave one a curious feeling; it was like seeing a drunken stranger wrapped in one's dressing gown.
A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion.
Some writers, no matter how good they are, can't speak to us. Something about the way they see the world, I think, string sentences together, alienates us as surely as the ramblings of a madman on a bus.
