Then, of course, there are those sad occasions when a poet or a writer has not grown, and one has to let them go because they're just not making headway. But we have a very clear personal relationship with the authors.
I started in this racket in the early '70s, and when I was president of the Science Fiction Writers of America, of which I was like the sixth president, I was the first one nobody ever heard of.
I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
Our society expects that everyone should learn to write, even though very few become professional writers. Similarly, I think that everyone should learn how to program, even though very few will become professional programmers.
What it takes is to actually write: not to think about it, not to imagine it, not to talk about it, but to actually want to sit down and write. I'm lucky I learned that habit a really long time ago. I credit my mother with that. She was an English te...
When interviewing for a job, tell the editor how you love to report. How your passion is gathering information. Do not mention how you want to be a writer, use the word 'prose,' or that deep down you have a sinking suspicion you are the next Norman M...
I think every writer has a book that haunts them, and on some level, every book you write is a reaction to it. 'Lolita' is that book for me. Nabokov's love of wordplay, descriptive detail, artfully complex plots, and his themes of obsession and lost ...
Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up wi...
The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one.
If one wants to go on living, one must evolve. Before, when we composed, we would start by a series of music themes. Once created, we would hire writers and lyricists to make up the text and the story line. I was the first to do this backwards with '...
I find myself wanting to make music at the dining room table or in the bedroom - I'm kind of a mobile writer, so I sort of move around the house. But the attic is definitely where I can make the most noise. While everyone on the lower floors screams ...
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a write...
Artists, writers and people in creative fields are entrepreneurs by necessity. Nobody gives them a paycheck or picks up their medical insurance. The ones who succeed learn to think and act like 'independent operators.' I think people who are technica...
I hear that 5 o'clock whistle in my mind like Fred Flintstone and I have to stop. I'm also not much of a morning writer. I have a sweet spot from about 11am to 4pm. But I really work during that time.
On Memorial Day, I don't want to only remember the combatants. There were also those who came out of the trenches as writers and poets, who started preaching peace, men and women who have made this world a kinder place to live.
When I was seven and told my mom, 'I'm gonna be a writer,' she said, 'Oh, that's a terrible idea. You'll live in misery and die teaching other people's children badly.' My parents wanted the safer path for me, and I think they failed miserably achiev...
Barton: [at the USO club] I'm a writer, you monsters! I create! I create for a living! I'm a creator! I am a creator! [points to his head] Barton: This is my uniform!
Geisler: Look, you confused? You need guidance? Talk to another writer. Barton: Who? Geisler: Jesus, throw a rock in here, you'll hit one. And do me a favor, Fink: throw it hard.
Geisler: I've got a writer here - Fink - all screwy! Says I'm producing that Wallace Beery wrestling picture; what am I, the god-damn janitor around here?
Walter Sobchak: [looking at his hero writer Digby Sellers in an iron lung] Does he still write? Pilar, Sellers' Housekeeper: Oh no no, he has health problems.
You wanna do a lot of backstory for your character - as an actor, you wanna research that. But on the show, it's fun to remain in that naive place as you go along, and be able to continue to discover things about your character as the writers come up...
