If you are a writer and you write/understand sarcasm please be thankful to the government and the masses. Without their hard work and supreme idiotism it wouldn't have been possible. You owe them the brutal sarcasm, they've earned it!
Many writers were picked on as children. Why? Because they were weird from the get-go. They were often to be found at the back of the class smelling erasers, or talking to caterpillars, or walking down the street with an encyclopedia balanced on thei...
I met Robert Crumb in 1962; he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult doing it I wouldn't be doing it. I do admire writers who do it even though it costs them.
I do not have any political commitments anymore. I'm politically a total agnostic; I'm one of the few writers in Italy who refuses to be identified with a specific political party.
An absolutely necessary part of a writer's equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.
I would willingly pass my life writing and re-writing the same book - that one book every writer carries within him - the image of his own soul.
I didn't go to graduate school, where all the important writers seemed to be getting their start. I didn't pursue getting published in literary magazines. I didn't even send out countless pitch letters and manuscripts to agents.
No book can be written till it wants to be written, till it shouts to be written, and raises up a persistent din in the writer's head. And then, if you want peace, you just have to pull it out and freeze it in print. Nothing less would do.
I am very indebted to southern writers and not just Flannery O'Connor. Also Harry Crews, Larry Brown, Tennessee Williams, Barry Hannah and William Gay.
I before E except after C. Weird? By rebelling against the rules the word itself denotes its very meaning: of strange or extraordinary character, odd, fantastic. I think all writers are weird.
That's like one of the things - you know, being a writer, it's not just like they're constantly like giving you jobs and shows. There was some lean years, man, and - well, a lean year and a half. 'Woe is me.' Right?
Confidence is highly overrated when it comes to creating literature. A writer who is overly confident will not engage in the struggle to get it exactly right on the page - but rather, will assume that she's getting it right without the struggle.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
Our effectiveness depends on our capacity to be audacious and astute, clear and appealing. I would hope that we can create a language more fearless and beautiful than that used by conformist writers to greet the twilight.
I mean, if you lined up 100 writers, you'd get 100 different ways in which they write. There's no right way or wrong way to do it; it's whatever your process is.
There was no audience for my books. The Indians didn't regard me as an Indian and North Americans couldn't conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.
When I came to New York as a writer, I was taken with the idea that you're only getting in on bridges and ferries and through tunnels. The idea behind 'Takedown' is that it would be very hard to get out.
I was always a writer - working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV...
