One recalls the literary writer who, after grasping a story of a Mars voyage as a metaphor for isolation and the precariousness of relationships, realized that at a deeper, more subtle level it might even be a story about an actual trip to Mars!
Of course the word chaos is used in rather a vague sense by a lot of writers, but in physics it means a particular phenomenon, namely that in a nonlinear system the outcome is often indefinitely, arbitrarily sensitive to tiny changes in the initial c...
I really do believe some people are naturally novelists and some people are short story writers. For me, when I was in middle school or high school, I started with novels.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm...
I mean one of the weird things about TV and one of the things that some actors don't like but I kind of dig is that you never know where you're headed, I mean you never know what the writer might think of next.
I think every fiction writer, to a certain extent, is a schizophrenic and able to have two or three or five voices in his or her body. We seek, through our profession, to get those voices onto paper.
I don't think I would ever inch my way up to Y.A. That audience is very well served. There are a lot of wonderful writers writing for Y.A. I feel like I'm in the right place.
As a musician and a guitar player, I can noodle as well as anybody. But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.
George was getting alot of independence for himself in those days. He was writing more, and wanted things to go his way - where, when we first started things basically went John and Paul's way. You know, 'cuz they were the writers.
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
It's also that comedians don't have the kind of narcissism that actors have. They're writers who perform their own material. It's more interesting. And they're sexy because they risk more. Stand-up comedians risk more than anyone.
I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin...
As a writer, I like the list of "things to strive for" that Richard Yates kept above his typewriter: genuine clarity genuine feeling the right word the exact English sentence the eloquent detail the rigorous dramatization of story
Every single tune you know from the 1940s until the 1970s was written, arranged, and demoed in the Brill Building. OK, maybe not every song, but writers from Benny Goodman to Lieber & Stoller to Neil Diamond all kept offices there.
I don't know why anyone would be scared of a homeless person. The truly scary people are all the murder mystery writers. They spend all day thinking of the perfect plot on how to kill someone and get away with it.
There are many Latino writers as talented as I am, but because we are published through small presses, our books don't count. We are still the illegal aliens of the literary world.
I always look for the writers and what they're creating. If it's something I don't buy, it's really hard for me to play it. To me, it has to be grounded in some sort of reality. It's really hard to go to these extreme places if they're not grounded.
It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.
A writer is very much like the captain on a star ship facing the unknown. When you face the blank page and you have no idea where you're going. It can be terrifying, but it can also be the adventure of a lifetime.
In some instances, I would say the writer does deserve equal billing with the director. In other instances the director - especially if he wrote part of the script himself - is clearly more the author of the movie.
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
