I did several interesting jobs, working in restaurants, I worked at a lab rat farm, feeding and watering all these rats. Then I got a full-time job as a technical writer for a large scientific research laboratory.
As a reader, coming to my reading as a writer immersed in fairytales, I can't help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so I'm very excited when I notice that.
I have met so many people who say they've got a book in them, but they've never written a word. To be a writer - this may seem trite, I realize - you have to actually write.
For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.
If you’ve got a cozy mystery, and a dog is introduced, readers’ first question is, ‘Does the dog die?’ They never ask about a cat. They know that the first rule of cozies is: The Cat Never Dies.” – K.B. Inglee, mystery writer
I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.
Writers get embarrassed sometimes in talking about how much fun writing can be, but drafting is often really enjoyable. Often, you're tumbling in the dark, and you don't know where the story is going to lead.
Look, in 1800 the sainted Thomas Jefferson arranged to hire a notorious slanderer named James Callender, who worked as a writer at a Republican newspaper in Richmond, Va. Read some of what he wrote about John Adams. This was a personal slander.
I've never been a fearful person. When I was growing up, I wanted to be an actress, a writer, and a musician and I never really processed that those are the three hardest jobs - I just never even processed it.
I'm a writer first and an editor second... or maybe third or even fourth. Successful editing requires a very specific set of skills, and I don't claim to have all of them at my command.
I've been writing about James Fenimore Cooper. He was not a writer. Here was a man who was 30 years old and had never put anything more than his signature on paper.
For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write.
I've never really suffered complete and utter writer's block, really. I equate it with sex: in the beginning of my career, I was writing five songs a week; now, I occasionally write a song. But it's an exciting moment when it happens!
I always counsel aspiring novelists that passion is the most important quality for a writer to possess - technique can be taught, but that relentless desire to write has to come from within.
And thus it was that I started to wonder why Robert Burns is so important to us. We have other poets, and other writers, and other heroes, yet we do not afford them the veneration that we afford to Robert Burns.
I'm a little harsh. When people say, 'I have writers block. What do you suggest?' I say, 'If you can't write, don't write. No one needs your writing. Don't torture yourself.'
Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy - which many believe goes hand in hand with it - wi...
All the writers and producers around us that gave us the environment where we could play. They were able to provide us with a place where we could take chances to play with things, go against the grain and do things that people don't always do.
All writers and their readers should stand up and voice their opposition to financial services companies censoring books. Authors should have the freedom to publish legal fiction, and readers should have the freedom to read what they want.
Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.
What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - ...
