When I got the invitation to be part of 'The Ghost' or 'The Ghost Writer,' as it's now known, from Mr. Roman Polanski, my interest level was very piqued. I was very excited and pleased to get such an offer from Mr. Roman Polanski.
In France, for instance, one magazine writer was convinced that On The Road had been a huge influence on Lost Souls and was crushed to learn that I hadn't read the one until after I'd written the other.
When I took over the Writers' Workshop, it was one little class and there were eight students. All of them, brilliantly untalented... I had an absolute vision after the first workshop meeting.
Writing on a computer makes saving what's been written too easy. Pretentious lead sentences are kept, not tossed. Instead of sitting surrounded by crumpled paper, the computerized writer has his mistakes neatly stored in digital memory.
I wrote every day. I don't think I could have written 'Just Kids' had I not spent all of the 80s developing my craft as a writer.
I know there are writers who feel unhappy with domesticity and who even manufacture domestic turmoil in order to have something to write about. With me, though, the happier I feel, the better I write.
One of the things everybody seems to want to ask writers is, "Where do you get your ideas?" When people ask me this, my usual response is, "Ideas are the easy part. The hard part is writing them down.
I know some children's writers write for specific children, or for the children they once were, but I never have. I just thought children might like my sort of visual humour.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.
My dream was to be known as a writer and to be able to produce at least one book that would be read by people. That dream came true with the publication of my first novel - and all the rest has been a sweet bonus.
Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.
A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it
My mother wanted me to be a writer. But she was a child of the Depression and never understood that she wasn't poor. So, you know, the idea of not having a job, it would creep through. But she tried very hard to be subtle about it.
It's often the case that the most strained moments in books are the very beginning and the very end - the getting in and the getting out. The ending, especially: it's awkward, as if the writer doesn't know when the book is over and nervously says it ...
I've always scribbled, and I still do it. I've written numerous scripts for films for which I think I'd be perfect as the complex, intelligent and, yes, modern heroine. Embarrassingly bad, all of them. I've had to come to terms with the fact that I'm...
As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.
When I set out to write crime fiction, I didn't think to myself, 'I'm going to model myself on Agatha Christie' or 'I am going to be a crime writer in the Christie tradition'.
Writing is about allowing yourself to become a vessel of creativity. Writers are avatars of creation. We have tender hearts, and strong emotions. It's hard not to when you have a million different people's personalities playing out in your head.
And as a writer, one of the things that I've always been interested in doing is actually invading your comfort space. Because that's what we're supposed to do. Get under your skin, and make you react.
The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising." [ (Jessica Strawser, , May/June 2...
