I tried writing this book about a singer in a wedding band, but realized I only wanted to write the book so I could have an excuse to sing with a wedding band as research. That's not a good enough reason to write a book.
I started writing while I was a little boy. Maybe it's because I was reading a lot of books I admired, and thought that I would like to write something like that someday. Also, my love for good writing pushed me.
I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories; or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was...
I live my life like anybody else, and people choose to write about mine. And what they write I can't control - when they write lies at least - because the laws can't really protect you unless you can prove malicious intent. So I just choose not to re...
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that...
Write comic books if you love comic books so much that you want to write them. Don't write them like movies. Comics can do a lot of things that movies can't do, and vice versa.
My only qualifications to be an actor were that I'm daring, and I'm a quick learner. I've always learnt by watching what other people do. It's the same with my writing. I write what I know. Structurally, I write in a very undisciplined way.
Writing comedy is an exposing thing because you're putting yourself on the line with every joke you write, and although you can't second-guess an audience, if you want to be successful, you have to write stuff people like.
Writing lyrics is part spontaneous, intuitive and part really thought through and carefully analyzed as you write it. It's a mixture of two approaches, and I imagine writing anything is like that, really. Some of it just flows, and you just go with i...
I write... sonnets... and writing sonnets is boring. You have to find rhymes; you have to write hendecasyllables; so after a while, I get bored and my drawer is overflowing with unfinished short poems.
Only amateurs say that they write for their own amusement. Writing is not an amusing occupation. It is a combination of ditch-digging, mountain-climbing, treadmill and childbirth. Writing may be interesting, absorbing, exhilarating, racking, relievin...
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
I'm a fairly ascetic person. And I do most of my writing at night. You don't get distracted, your brain goes into what you are writing about, into the world you're writing about, rather than into the world you're in.
I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
Now I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that, otherwise you end up preaching down.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I think sometimes I write to impress my influences. Whether they're actually acquaintances of mine, people that I think will hear the record or not, I still write - not to imitate my influences - but to write something that would live up to their sta...
The one thing emphasized in any creative writing course is 'write what you know,' and that automatically drives a wooden stake through the heart of imagination. If they really understood the mysterious process of creating fiction, they would say, 'Yo...
I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try...
