We kill at every step, not only in wars, riots ad executions. We kill every time we close our eyes to poverty, suffering and shame.
Only God can write a story that resonates not just in the power of the imagination or the heart or the mind, but in the very soul; only God can write a story that brings dead things to life.
On every page, confidence fights with self-doubt. Every sentence is an act of faith. Why would anybody want to do it?
By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.
I wanted to capture what language ability tests could never reveal: her intent, her passion, her imagery, the rhythms of her speech and the nature of her thoughts.
Maybe you're one of those people who writes poems, but rarely reads them. Let me put this as delicately as I can: If you don't read, your writing is going to suck.
I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle.
You are not your poetry. Your self-esteem shouldn't depend on whether you publish, or whether some editor or writer you admire thinks you're any good.
Who you are contributes to your poetry in a number of important ways, but you shouldn't identify with your poems so closely that when they are cut, you're the one that bleeds.
It seems to me that my whole life I've been standing on some tower or a pillbox or a trampoline, waving the names of writers, as if we needed rescue. And the first person I had to rescue was myself.
Before I published any of my own stories, I read a great many stories by people as passionate about writing as I was, and I learned something from everyone I read -- something most important what I should not try to write.
I’m writing a book, one letter at a time. After thirteen days, I just finished writing “Once upon a time.” Since it’s a fairy tale, it’s obviously a romance novel, along the lines of “All Quiet on the Western Front.
Assuming you can write clear English sentences, give up all worry about communication. If you want to communicate, use the telephone.
It's easy to make women happier and busier. How? Buy her a talking mirror beside bitching it has to be programmed to say, "You are looking very beautiful and slimmer," at precisely every hour.
I can be a stupid girl inside of a crazy woman at times over you. If I weren’t, you should be worried! We all do stupid shit. I might as well be a fool for someone worth it.
My lifesaver has always been the hazel iris of your soul. It never fails. When the world plunges me deep into the darkness, one look from you is all it takes to save me.
I have always considered myself a person with a gypsy heart, and I Surrender my dreams to my soul, for it's a free sprit who believes in no boundaries of region and religion.
Truthfully, there're only a handful of people in this world who really get joy from seeing you happy. Most won't care if you’re happy, only if you're miserable like they are. They eat that shit up.
You're gone and you left me. My heart has dissipated. The only thing I can feel is the blood rushing through my veins and the strings that hold my fragile heart together.
It turns out there is only one possible thing to do in this circumstance, to wait the only way there is to wait through eternity, and that is through creativity.
Writing and drawing are very therapeutic, but they are also an excellent manifestation tool. I teach my clients to draw what they want, or to write a story about it to bring the manifestation forward into the present.