I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.
If you write a good action sequence well in a novel, you're already writing it for film, because the only way to do it well is to use some of the same tricks. They're rhetorical, not visual, but it's the same move.
Why do I write? It's not that I want people to think I am smart, or even that I am a good writer. I write because I want to end my loneliness.
When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.
I don't know that it's particularly good for my writing process, but I have gotten some very valuable writing ideas and advice through Twitter and Facebook and other social network sites.
When I start writing these novels, I go into them with a spirit of inquiry rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store.
It sounds funny, but I always try to keep an open mind about what I'm writing about. Sometimes I squeak my opinions in there, but generally I don't. I try to be objective about things that I'm writing about.
The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.
Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.
Poetry was one of the things that interested me most as I was growing up. I used to write it in my head all the time. I still think the very greatest pleasure in life is to write a poem.
I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know. And writing Langston Hughes replica poems became me wanting to write like Stevie Wonder.
I write because I admire the act of rationalization, of seeking clarity in one's understanding of the complexities of life, and I'm bad at it. I'm slow. Writing, which is an arduous and slow process, proceeds at the same rate as my sloth-like mind.
I've been doing nineteen hours a day on London, nothing else, I mean this has been my whole life, and writing has been put on one side, and if I'm privileged enough to be the Mayor of this city, then I will not write again.
I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, yo...