We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.
There's always a sense of tragedy with icons. It happened to both the Princess of Wales and Diana Dors. A lot of people had grown up with them, and everybody loved them. Then, when they had at last found happiness, they were taken in the most dreadfu...
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
I don't have to take a trip around the world or be on a yacht in the Mediterranean to have happiness. I can find it in the little things, like looking out into my backyard and seeing deer in the fields.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all I'm after is happiness.
Negative humor is forgotten immediately. It's the stuff that makes us feel better about our lives that lives long. Much more satisfying. Enter children's books.
Now, Richard Pryor was unique. Many misunderstood his humor. He lit up the hallway, but they didn't understand his use of profanity. He didn't use it just to be using it; he used it in the context of his satire.
Funnily enough, I did a play called 'Jumpy' on the West End before I did 'Divergent,' and there was an essence of that character I played, called Cam, in Will. In the sense of his vulnerability, and... he had a sense of humor that comes out of advers...
One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show with...
Magoo's appeal lies in our hostility toward an older generation. But he's not only nearsighted physically. His mind is selective of what it sees, too. That is where the humor, the satire lies, in the difference between what he thinks he sees and real...
Joe Barbera's s always complaining that he can't get humor into cartoons anymore. Just do it. You've got your money. Why do they let the networks run their lives?
I really wouldn't want to live in America. I found New York claustrophobic and dirty. I missed England when I was there, simple things like smells and the British sense of humor.
Those years on the golf course as a caddie, boy, those people were something. They were vulgar, some were alcoholics, racist, they were very difficult people to deal with. A lot of them didn't have a sense of humor.
I mean, yeah, I'm sure that Python and the other things have paved the way for a greater understanding of the British sense of humor, but I don't think it's all that different than the American sense of humor.
No country in the history of the world has ever contributed more to humankind and accomplished more for its people in so brief a period of time as Israel has done since its relatively recent rebirth in 1948.
Of course, one way of thinking about all of life and civilization is as being about how the world registers and processes information. Certainly that's what sex is about; that's what history is about.
I excavate history. I look at lives buried under too much silence. Periods of time, like slavery, have to be revisited, reimagined, so we can move through them.
I sort of jumped out of movies and into the lifeboat of comics. I loved it right away. It was the opposite of film school. Whatever was in my imagination could end up in the finished product. There were just no limitations.
You'd have to have one hell of an imagination to completely make up a story, but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies; we do.
There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
