A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
When I was still in my psychiatric residency training in New York City, I was subjected to the doctor draft of that time, during the early fifties, at the time of the Korean War.
I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me.
Too many pupils at schools in the U.K. want to have careers as footballers or TV hosts, or models, because that's what they're constantly exposed to as the heroes of our time.
If you start using a medication in a person with autism, you should see an obvious improvement in behavior in a short period of time. If you do not see an obvious improvement, they probably should not be taking the stuff. It is that simple.
I was born in 1948, so I'm a '60s kid, and in the '60s everyone talked all the time, endlessly, about socialism versus capitalism, about political choices, ideology, Marxism, revolution, 'the system' and so on.
Lent is a time to renew wherever we are in that process that I call the divine therapy. It's a time to look what our instinctual needs are, look at what the dynamics of our unconscious are.
I tell beginning readers to read a lot and write a lot. If you want to write a book, find a subject that's really worth the time and effort you'll put in.
A lot was happening, plus there were an enormous number of people in the industry that were going to conventions, so it was a pretty fun time. Also there was a lot of controversy and I was at the forefront of some of that.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
I think of my poems as personal and public at the same time. You could say they serve as psychological overlays. One fits on top of the other, and hopefully there's an ongoing evolution of clarity.
Most fish require a short cooking time, but cephalopods are the exception to this fishy rule. As with some cuts of larger land beasts, the longer they're cooked, the more tender they get.
I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.
McMurphy: We're just having a little party. Orderly Turkle: Party my ass, this ain't no nightclub!
It doesn't matter about money and fame and whatever. I really don't care about that. My thing is, I'm happy that I'm able to have kids have a hero and have someone that they can look up to.
I'm very excited to see where the characters and their relationships go. But in the end, it really boils down to the people who have more power than me, who control the money.
I felt in a lot of instances I was deliberately being put through stress because when you're a guy who generates money, people have a vested interested in controlling you.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
Money flows into the US, and inflates US assets, and allows the US to have a monstrous trade deficit. That means we are consuming more than we are producing.
Nobody has money right now. And eating is very important, but it doesn't need to be expensive. And to make - it doesn't need to be fancy, as long as it's fresh and simple. The simpler it is, the more fancy it actually comes out tasting.
I have no complaints about losing money I put in high-risk investments. I did some of that when I had real money; my informed choice, my measured gamble.
