I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
Sometimes I'll go to the grocery store and buy a bunch of groceries as though I knew how to cook, which I don't, and as though I was going to be home for the next six days, which I won't.
Usually pilot season is very busy, and there are lots of auditions and lots of near misses and rejections. This year, I had two auditions, landed this role and it felt like being home again.
I am the first to admit my iPad is the coolest thing in the world, but when we can be in a room together and really connect, or leave the gadgets home and go for a hike, then I'm happy.
We are willing to spend the least amount of money to keep a kid at home, more to put him in a foster home and the most to institutionalize him.
The key is that your children are aware that you love them a lot, and that you are there when they really, really need you. If a kid was ill, I would simply leave a meeting and go home.
I've got a stag weekend coming up and I've said I'm not doing anything more than a few drinks. I won't have it. I'll go home and watch Antiques Roadshow.
Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.
Divorce is one of the key predictors of poverty for a child growing up in a home that's broken.
When I'm home, I cook and try to eat really clean. I try to eat vegetables at every meal. I stay away from pasta and bread and have brown rice and potatoes instead.
Having covered some half a hundred cities, towns, villages, and wide spots in the road during the last tow years, George and I fairly wallowed in the comfort of our own home base.
I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making. It does, it does force this bond and community amongst a group.
My parents were wonderful people, but there were terrible rows between them, and at times I found the atmosphere at home unbearable. The Arthur Ransome books gave me an alternative childhood and the tools to escape.
My father and mother emigrated to Canada in 1958, but there's nobody more English than an Englishman who no longer lives in England, and our home was a shrine to all things English.
Canada was for me very much Sweden, you know? Very much open people, that they read books, they go see films. I felt at home in Canada. And also, you speak French.
I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.
I had a period of unemployment for about nine months after my first big break, and it's the greatest lesson I ever could have learned, never to believe you're home and dry.
Once I took a bus from my home in Maryland to Philadelphia to live on the streets with some musicians for a few weeks, and then my parents sent me to boarding school at Andover to shape me up.
I'm not one for sightseeing or going around the shops when I'm on holiday. I do enough shopping when I'm at home, and like to have a complete break when I'm away.
I lived in Hollywood long enough to learn to play tennis and become a star, but I never felt it was my home. I was never looking for a home, as a matter of fact.
This sort of encouragement is vital for any writer. And lastly the publication of Touching the Flame, which was on hold for two years and went through a few publishers before finding a stable home.
