I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.
I don't want to discredit people's individuality, but I think people are pretty much the same. People are very similar. If you have a good enough imagination then you can feel things that you personally have never done before. That's acting.
The fallacy of monetary policy in the U.S. is to believe this money will go to the man on the street. It won't. It goes to the Mayfair economy of the well-to-do people and boosts asset prices of Warhols... Very happy. Very good for the Fed. Congratul...
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
I'm originally from San Francisco. I might move there some day. But, I like L.A., I have fun in L.A. It's a fun town if you've got money in your pocket. It's a good town.
My aunt put my cousins into a children's modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
Because Genentech is a leading developer of cancer therapies, some doctors also fear that the company's pricing plans for Avastin - around $8,800 a month - may encourage other companies to charge more for their own oncology drugs.
I think on some level, that's a fear that exists in everybody, that if we're tested, we won't make the courageous choice. We won't make the decision that would make us heroic. We make the decision that would reveal us to be all too human.
For me personally, I have a fear of, 'If I stop, I'm going to die.' If I stop doing the things that are enriching to me or creatively exciting to me or if I stop creating, then I feel stagnant. If something isn't growing, it's dying.
Why are people afraid of ghosts? 'Ooh, no, I wouldn't want to see one! I'd be too scared' - accompanied by a tremolo of fear in the voice - is the common reaction. This puzzles me. I'd think anyone would welcome he opportunity. I've never heard of a ...
As an actor, there's always that fear. You don't know where the next job's coming from, so you say, 'I'll do that, I'll do that, I'll do that'. Your choices are not always clearly thought out, and you can end up taking mis-steps.
We keep on saying 'Jack' and 'he,' but that's one of the great things about the Ripper: its a mystery, which is part of the fascination and the fear. If you can see evil and face it, it often doesn't look so evil, but the Ripper never got caught.
So long as the most vulnerable people in our population are consigned to places that the rest of us will always shun and flee and view with fear, I am afraid that educational denial, medical and economic devastation, and aesthetic degradation will be...
I do not have a fear of heights at all. I was the kid who would see how high I could get in the trees. I was always climbing something. But I wasn't allowed to look down; I had to step off completely blind and backwards.
I don't think that fundamentalism has anything to do with Jesus Christ. They call themselves Christians, but if that's Christian, count me out. Fundamentalism is built on fear and greed. They're telling you to give them your money otherwise you're go...
I was kind of surprised to learn how controlling I am. I never thought of myself in that way. I think the root of the control issues is usually fear, because you want to know what's going to be happening at any given moment.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is tha...
I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.
That was my fear, which is why when I was took over a book, I was always trying to tweak it a little bit so that it looked like I was trying to add something instead of keeping the status quo.
