I believe we should spend less time worrying about the quantity of books children read and more time introducing them to quality books that will turn them on to the joy of reading and turn them into lifelong readers.
With reading, I was very lucky. I had a mother who read to me, not because she had time - she was a busy woman - but she found 10 minutes to come and sit on my bed with a book.
There is a generation of skimmers. It's not that they don't want to read in-depth content, but they want to evaluate what the content is before they commit time. Especially on a mobile phone - you don't have the phone, or cellular data, or screen siz...
When it came time to be a professional rapper, I wouldn't sign anything without reading it. There was no way I was going to have people make decisions for me or wake up one day and find that I was broke because I never bothered to read a contract.
I do most of my reading on the train ride to and from work. But I always have a book in my handbag so that I can read at any time, anywhere.
I remember the beginnings of the Kurzweil reading machine. I was one of the first to meet Ray Kurzweil and purchase the reading machine in Boston. To think that the machine was at least two and a half large suitcases at the time, and now you have a c...
If I am on a journey where I only have time to read one-and-a-half books, I never know which one-and-a-half I'll feel like reading. So I bring eight.
Madox: I have to teach myself not to read too much into everything. It comes from too long having to read so much into hardly anything at all.
Lt. Col. Gordon Tall: You're Greek, aren't you, Captain? Did you ever read Homer? We read Homer at the Point. In Greek.
If you pay a child a dollar to read a book, as some schools have tried, you not only create an expectation that reading makes you money, you also run the risk of depriving the child for ever of the value of it. Markets are not innocent.
Poetry always runs away from you - it's very difficult to grasp it, and every time you read it, depending on your conditions, you will have a different grasp of it. Whereas with a novel, once you have read it, you have grasped it.
In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.
One of the things about having worked at certain places is that it becomes very hard after you stop working at them to continue a relationship, to continue even reading them. So I must confess that I don't read 'New York' magazine anymore.
I did, although I didn't read from page 1 to page 187 but I read chunks of it. I did a little bit of science when I was in the university so I was able to understand the graphs and pie charts and stuff like that. It was extremely dry.
I love reading and I love thinking - the reason that I love my books so much is that in order to write them I have to read and to think for years at a time about the same period of time.
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
I'm a big reader. My kids love reading, and I think it's important, not just for development but for bonding. You start reading to kids before they can even understand what you're saying to them, so I look at it as a fundamental tool for connection.
I have dyslexia, and I never did learn to read music, and I even had a problem in reading because everything was turned upside down, so I just had to draw from the lyrics and the voice that I would hear in my mind.
When I was nine, I started reading Homer. I would get up at four o'clock in the morning, before I had to go to school, in third or fourth grade, and, for several hours, I would read 'The Iliad' or 'The Odyssey.'
I read the 'Times' and 'Post,' but I have nothing against the 'Daily News.' I also fish around the Internet for entertainment news but find most of what I read to be untrue or partially true.
When I walked in to read with Edie Falco, it was nice, because I auditioned in New York, and it was very quick. You walk in, there's Edie, the producers, the director, and a camera. I read three scenes, and it was done.
