The Fourth Amendment is quite clear on the notion that search and seizure must not be unreasonable. It is difficult to think of something more unreasonable than searching the private phone records and digital information of citizens who are suspected...
The thing that got me started on Twitter was just basically pressure from management and the record company saying, 'Hey, this is what all the other artists are doing. You need to be doing it also.' I didn't really have a clue what is was.
I was the only person I'd ever met who had a record contract. None of the E Street Band, as far as I know, had been on an airplane until Columbia sent us to Los Angeles.
Even though we're not the most punk rock band, the way we've done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
I must tell you, to get started today must be very difficult 'cause whatever it takes today is very tough. They have to invest a million dollars in a video just to see if you have a hit record.
I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.
Hey, we've all been to high school We've seen the in-crowds. Most of us have been in the outer crowds, the people who weren't in. Although I was never in, I was selling records and was very happy.
I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song.
Punk rock really came out of N.Y. as a philosophy before the groups were ever recorded. I had a kind-of intellectual interest in the idea of creating a new scene that could be a grassroots thing.
SST was formed to put out the first Black Flag record. Basically, there wasn't anyone else to do it. I felt that what I was doing with Black Flag was very worthwhile, and I wanted to get it out there.
Live records of mine are very painful to listen to because you always think you can do it better. I don't think I have a single favorite one.
When I went to record my first album, which should have been a punk album, there was a synthesiser in the control room. I'd never seen one before but they let me have a go on it and I loved it to bits.
I remember that in '81, country radio was pretty pop, and everybody wanted a crossover record - and all of a sudden it came back to traditional. Now it's kind of swung the other way a little bit, but it always comes back.
It's kind of weird. You can have hits, but it's hard to sustain a career. I went through that period where I didn't have a lot of hits, although people were still buying the records.
When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.
I collect records. And cats. I don't have any cats right now. But if I'm taking a walk and I see a cat, I'm happy.
I don't like the idea of a singer-songwriter record. I don't picture myself that way, and it's not my favorite sort of look, I guess. It's really just an aesthetic thing.
I'm trying to avoid having regrets about missing opportunities. That would be the worst thing. Like having an audience waiting, and not working hard enough, and coming out with a record that disappointed them.
Bono is my inspiration - not only as a rock star but as a humanitarian. We aren't just put on this earth to sell records. Maybe it's because of my upbringing, but I do consider myself a moral guy.
And I have to say, for the record, my favorite line from 'Without A Clue' is after Michael Caine pokes a dead body with a stick and announces to everyone, 'It is my opinion that this man is dead.'
