We started all this research way back in the early 1990s, developing a technique that allows us to record the electrical signals produced by neurons simultaneously.
I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
Any man and woman, and I've been on the record, any man or woman who wears the uniform and serves this country is a hero. I've said that repeatedly at all the town halls I've had.
We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.
I have gotten more than I asked for. All that I ever wanted was to hear my voice on record and have a song among the Top 20.
I remember seeing the song in some diners on the selection gadget that plays records at the table while you were eating. We were never told if the songs ever got on any charts.
I've stopped acting, but I don't think I've finished using my voice. I could, and probably will, record the whole of Shakespeare's sonnets. They live at the side of my bed and are my constant companions.
English banjo players really were a law unto themselves - you don't find that kind of brisk banjo playing on the original Louis Armstrong or Bix Beiderbecke records.
When I was a tiny tot, we only had one record player in the house, so there was either Genesis on it or the Jungle Book or The Beatles as well, and various other things.
I generally sell my records online or at the show. You can undersell the distributor and the stores, and people know what they're getting cause they've just seen you live.
Normally when we go in and write the songs we write, we think about doing a cover, but never a covers record. That would be, for us, a concept. We don't want to have a concept!
We played all of the songs on the first Johnny Winter AND every day before we recorded them, so that when we got in the studio, it was totally easy, as we knew exactly what we wanted to do.
In the nineties I was doing those Blues Bureau records, but over the past two years, I have really gone back to my Christian roots and have been born again.
First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
I am extremely proud and honoured to have beaten Pete's record as he was my childhood hero and I have always looked up to him.
One of the most important improvements in the No Child Left Behind Act for migrant students was the requirement for electronic transfer of migrant student records.
The label doesn't do anything but put your record in the store, that's all they do. And tell you, you don't have a single... and tell you, it's not gonna sell... that's what the label does.
The Patriot Act, passed overwhelmingly but hastily after 9/11, allows the FBI to obtain telecommunication, financial, and credit records without a court order.
It's not like making records is terrible. Still, I do find the writing of the songs and the live shows to be the things that give you the most clear picture of what it's all about.
The media and the rest of popular culture weren't recording people's reactions to 9/11; they were forcing made-up reactions down people's throats.
