One of my first records that I heard was 'Wish You Were Here' by Pink Floyd.
I have a long track record of really horrible relationships and a divorce behind me; so I'm not the guy to ask. I just got really fortunate with this one.
There are some movie stars in Hollywood that are so scared, they also tell the reporter that they are recording them, in case there is something wrong with what they wrote about them in the papers.
I'm delighted to be Number 1, but next week I don't want people to buy my record, I want them to buy Band Aid.
Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured.
When you're young, the goal is to have a hit. You get a little older and the goal becomes to get to make another record.
There's not a platinum record hanging in my house anywhere. It doesn't exist here. I'm over it. They're all in the garage, wrapped up in bubblewrap.
One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
I have to admit that I was a little nervous when I showed up for my first official 'Wreck-It Ralph' recording session.
I'm doing my part, building plants at a record rate, having historic conservation levels. The only people not doing their part is the federal government that is siding with the energy companies against the interests of the people of California.
Our studio is kind of built into our home, so it's a place you can ramble, and we can do a pretty good recording here. The band is really comfortable her.
What my job is, is to get on with getting the process of democratic politics, back on the road, entrenching the peace settlement, and I ask you to judge me on my record.
The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place.
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
I guess some of today's programming has rubbed off on me because I find myself having to set time around for touring, putting that together and then setting time around for recording.
I'm just getting people warmed up a little bit at a time, a little bit at a time, so I can fully come with, like, a 'Fix You' - type record, or 'One' by U2.
I've been doing a lot of studying singing, and I'm thinking of recording an album containing all my old war horses and putting out a songbook at the same time.
This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
Orchestras are not used to playing the kind of stuff jazz musicians like to play. It requires a lot of rehearsal and recording time, so it's much easier to do on a synth or sampler. So, we came up with that idea.
Usually for cartoons, I record them in the mornings from 9 A.M. to noon, then I have the rest of the day to do on camera. It actually gives me time to work on my own projects.
Next time we need to be on drugs and have lots of suffering and alcohol abuse going on while recording, I'm kinda picturing a Jerry Lee Lewis session from the mid Seventies.
