I love the excess of Christmas. The shopping season that begins in September, the bad pop star recordings of Christmas carols, the decorations that don't know when to come down.
Gene Krupa was my big hero, and I used to play on my mother's flour cans and sugar cans with the kitchen knives, listening to the big bands on my dad's records. Gene Krupa and Harry James.
Finally, I would like to remind record companies that they have a cultural responsibility to give the buying public great music. Milking a trend to death is not contributing to culture and is ultimately not profitable.
I always knew that we were going to be successful and accomplish and succeed at our dreams. There was never a doubt in my mind. When we were recording 'Appetite For Destruction', we all knew.
I wear a lot of different hats - from writer to producer and artist. We all do 5 or 6 jobs, everything from creating our own graphic design to actually recording and the whole bit.
I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.
NSF is the only federal agency with a proven track record of selecting education projects through a rigorous, careful and competitive process that draws on a wide variety of experts from outside government.
Dropping the news to my parents that I was skipping my 'dream education' at Chalmers to sit at home recording videos while playing video games was not easy.
Understanding the true causes of the Depression, as well as the real economic record of the United States in the 1930s, is an essential ingredient in anyone's economic and historical education.
I learned a lot from that first record and I learned a lot from my experiences touring, but really the biggest education I got over the past two years was learning the importance of arrangements.
I think environmentalists do no service to their cause by taking fundamentalist stances. I am not defending corporate India's track record, but for many environmental problems, there are technological solutions.
To me, it's all about the song. Songs are what make me excited. You hear a great song and you want to record it or get a great idea and you want to write it.
Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
We started with Denny Cordell, and he was a great record producer. He knew exactly how to take a band that knew absolutely nothing, and guide you without trying to tell you what to do.
People say, 'How's the record doing?' In the old days you'd say, 'We're at 600,000, it's doing great.' You don't say those things anymore. Those numbers are gone.
Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.
It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
Whenever any great song or album gets lost in the ether, someone is deprived of the joy of hearing it, and the great effort of those who created and recorded the work is damaged.
Growing up in Hitchin was comfortable and easy enough. My parents had some great records - and some not-so-great ones - and that's where I got introduced to Motown and the Stones and Springsteen.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
In the account book of the Great War the page recording the Russian losses has been ripped out. The figures are unknown. Five millions, or eight? We ourselves know not.
