The U.S. has intervened more often in more countries farther from its own shores than has any power in modern history.
I've always been very forward-looking, and it was actually kind of difficult to turn my gaze backwards to look at comics history.
Countries under foreign command quickly forget their history, their past, their tradition, their national symbols, their way of living, often their own literary language.
In October, 1865, occurred what was, in my eyes, the greatest event in the history of the observatory. The new transit circle arrived from Berlin in its boxes.
A history of perceived humiliation, after all, lurks behind many acts of terror. And competing narratives of victimhood and insults sustain conflicts in the Balkans, the Caucasus, the Middle East and many other regions.
I still remember my dismay in the summer of 2007 when - for the first time in the history of planet Earth - America's share of auto production dropped below 50 percent.
I actually think that history has fed off the restlessness of cyber space, of kind of the frantic, segmented nature of the way we lead our lives. People want to be connected.
Jewish history turns out not to be an either/or story - as in, either pure Judaism detached from its surroundings or else assimilation - but rather, for the vast majority, the adventure of living in between.
I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today.
You can get a certain amount of pleasure as a mathematical spectator, reading and watching some of the most beautiful arguments that have been created in the history of humanity. But that's too passive.
I hated the lost colony; in second grade, we were doing American History, and they said, We don't know what happened to them. That drove me nuts. That lost colony drove me crazy.
Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.
There's something quite exciting when you have a history with somebody and you see them do new and different things.
Clinton passed his first budget without a single Republican vote in either the House or the Senate. Before it led to the longest economic expansion in U.S. history, it led to a Democratic defeat in the 1994 midterms.
It was Muddy Waters who took the Delta blues north to Chicago, electrified the sound, and changed the course of popular music as we know it. That's pretty much the judgment of history, and it is mine as well.
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
I believe that history might be, and ought to be, taught in a new fashion so as to make the meaning of it as a process of evolution intelligible to the young.
I currently live in the Plaza in New York and I love it - all that history, all those interesting stories.
Gay writers now have both a sense of history and the fables that allows them to dwell in the realms of the ridiculous and at the same time talk seriously about things.
However, we all share the firm belief in the triumph of humanist and progressive values that mankind has achieved during its long history of struggle and creativeness.
I shall cheerfully bear the reproach of having descended below the dignity of history if I can succeed in placing before the English of the nineteenth century a true picture of the life of their ancestors.