When I was 21 I stopped and got married. I tried for a while to be the perfect wife, society this, society that but it wasn't working, so after about a year I went back to work.
I kind of fell backwards into acting. I was studying to be a high school teacher. I look now and I understand completely, or actually barely, how much work it is to be a teacher. It's an incredible amount of work.
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.
What I want from my Lovers is real unadulterated love, and from my genuine workers I expect real work done.
For a long time, I'd work until 10 or 11. When I work, I'm on. I'm 'Magic.' I love it, but it takes a lot out of me.
I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.
I've had opportunities. But I'm happy at Utah. I can do a lot of nice things and I love the kids. We work hard and we have fun.
I had a feeling it was gonna work out because not only did I enjoy the music and hit it off with the guys, but I was into theatrical rock and was willing to wear makeup and do anything to make it.
There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.
Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited.
Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
I have declared that I will work free of cost with those composers who are passionate about their work. Sohail Sen is one such lad, whose music in Banjaara has been liked a lot.
I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts.
I know that the nice shines I have on is going to pass. The nice cars will pass. All that will stay is the music and the work. That's where I get the inspiration to help people out and work.
Before journalism, I had worked doing medical aid work in conflict zones. Then, as a journalist, I had written about hospitals in war zones.
When the children were very small, I worked in the morning only, and then gradually, as they spent full days at school, I could spend full days at work.
Ice skating is very difficult. It takes a lot of discipline and a lot of hard work. It's fun, but you are there on the ice every morning freezing and trying to do these moves and these tricks.
Marilyn Monroe was no fun to work with. She would report to work around 5:00 in the evening. You've been in make-up since 8:30 in the morning waiting for her.
Some men don't gel when it comes to work - you have different work ethics, different opinions, different points of views, different methods of filmmaking - and we didn't gel.
Around me I saw women overworked and underpaid, doing men's work at half men's wages, not because their work was inferior, but because they were women.
